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October 31, 2007

My favorite thing: Clown figurine

Newsday
by DANIEL BUBBEO

Don't tell Rhoda Newman to send in the clowns - they're already here in her home in North Babylon. Newman has loved clowns since she was a child when her parents took her to the circus for the first time. Now, she has a serious clown collection - about 100 in all from pewter figurines to knitted and handmade clowns. The star of her collection is the ceramic statuette of Emmett Kelly, who performed as Weary Willie, a clown based on the hobos of the Depression era. Newman's son gave her the figurine as a birthday gift about 20 years ago. Newman, a retired school secretary who will turn 80 Nov. 12, wasn't clowning around when she told Newsday staff writer Daniel Bubbeo about her collection...

 

What is it about clowns that appeal to you so much?

They cheer me up. When I was a kid, I loved going to the circus because I loved the clowns. My mother would say, "Look at the trapeze," but I was busy looking at the clowns coming out of the car. And my mother would never tell me how that trick worked.

That's funny you would say they cheer you up, because so many people seem to be afraid of clowns.

Oh, when my grand-niece was 3 or 4, she came to visit and got so hysterical. I couldn't understand why until her mother said, "Please, hide the clowns."

How long have you been collecting clowns?

At least 30 years. One is actually a doorstop. It has a brick in it. That came from when I was visiting a dear friend who's no longer alive, so I keep it out to remember her. Once in a while, a friend will get me a Precious Moment clown. I got a few in Holland because my son used to live there. They're pewter. And I got some in the Ozarks in Arkansas because it reminds me of the folks who live there.

Why is the Emmett Kelly figurine so special to you?

My family tends to ignore me as far as clowns are concerned, so when my son gave me this for my birthday, it was very special because I didn't even think he ever noticed that I collected them.

That's the only one from the Emmett Kelly collection that you have. You never wanted to get any more?

I probably can't afford them. ... There's one with him and a broom. Maybe someday, I'll treat myself. Maybe I'll put that on my birthday list.

Did you ever see Emmett Kelly perform live?

Only once. He had the broom in his hand, and he tried to sweep up the spotlight. It was wonderful. I was just speechless.

October 30, 2007

Tales of clown meetings in Beaumont

Orange County News
EDITOR'S COLUMN
Robert Hankins

If you read the above headline and thought I meant the city council, read on anyway.

You'll still get a laugh.

Tana Fillingame of Vidor, 46, is a member of the Golden Triangle Funny Bones Alley, a division of Clowns of America International.

The group meets second and third Tuesdays at the Ridgemont Retirement Center. There, they talk about being funny, seriously.


The term alley derives from "circus days," she says.

"We talk about a variety of things," said Fillingame, whose clown named is Trip. "We try to do a 'balloon of the month' for each other, and it's always usually an animal."

Other group members include Gloria Lindsey, Virginia Russell and Larry Thompson.

"Clowns do all kinds of things,"Fillingame says.

"We do face-painting; we do birthday parties. Once a month we talk about visiting kids in the hospital - Caring Clowing is what that's called."

The main group focus since formation has been charity work for nonprofit organizations, she says.

Members' clown names include Gumdrop, Shoo, Patches, Choo-Choo, Tiny, Blossom, Donut, Sweet Pea, Pockets and Grandma Clown.

"When you go to the hospital, it's advised to target a visitor since a patient may not be up to interacting with you," she says.

"That way they're able to watch the show. I'll start a routine by saying I'm auditioning for the Beaumont Symphony, except I'll mispronounce it

sympathy.'"

The group plans Christmas presentations and is practicing its "Kazoo Band," Tana says. "When one person has an idea, another will carry that through to another, and then another will add in something else.

"We refer to each other by our clown names. My husband will walk by when I'm talking on the phone he'll laugh because I'm telling someone, 'Well, Choo-Choo said so-andso.'"

One routine the group presented at the recent Texas Clowns Association Convention (at which it won several awards) was inspired by an e-mail.

"Two people walk into a Chinese restaurant and order 'Chicken Surprise,'" Fillingame says."I play the waitress, and when I bring the food out, there's a duck's head bobbing up and down from the plate. Then I tell them, 'I'm sorry, I brought you Peking Duck.'"

Performing clowns in Southeast Texas who would like to attend an "alley" meeting may call Fillingame at (409) 769- 9725.

October 29, 2007

'My life as a journalist and clown', by former Echo writer

holdthefrontpage.com

Journalist and entertainer Peter Brown is opening up the world of the regional press in his new book Hold The Front Page And Send In the Clowns.

Peter worked at the Lincolnshire Echo under 10 different editors and retired last year after 44 years in the industry.

He’s also Pedro the Clown in his spare time, and as well as going behind the scenes of a typical regional evening newspaper, he gives a unique insight into 40 years as a semi-professional juggler, rope-spinner - and clown.

 

 

He said: "It's not really meant to be an autobiography, although I suppose it is to some extent, but it's about daily life on a provincial newspaper and some of the weird and wonderful things that happened.

"I always promised myself that I would never, ever sit down and write a book once I said goodbye to the Lincolnshire Echo. But now I have gone and done it.

"The only thing I would say in my defence is that it’s not a true autobiography. Yes, it is about me, but it’s about a lot of other people as well and about the job which kept the roof over my head for more than four decades.

"The title is a bit longer than my publisher would have liked, but in a mere nine words it does seem to sum up my life - Hold The Front Page and Send In the Clowns.

"I am told the book is something like 84,000 words long, which came as a surprise to me because I didn’t think I knew 84,000 words. Though, to be honest, I have got to say I used some of them more than once."

Hold The Front Page and Send In the Clowns, ISBN 978-1-904959-58-8 costs £12 and is available on order through bookshops or from Paul Mould Publishing on 01205 363462 or through Amazon.


Erwin Middle students clown around

Asheville Citizen-Times
by ANDRE A. RODRIGUEZ

Students in Sally Guerard’s drama class at Erwin Middle School recently participated in a clown workshop with the support of a grant from Buncombe County Schools Foundation.

About 140 sixth-, seventh- and eighth-graders participated in the workshop learning about different types of clowns, developing their own unique clown characters, applying make-up, dressing in costumes and doing a clown walk around the school, including a trip to Principal Gayland Welborn’s office.

 

Send in the clowns

Albany Herald
by ASHLEY HINDSMAN

Typically, no one takes a clown seriously.

Teachers usually try to avoid calling on the class clown to answer a question in class, and aside from cracking a few jokes and making animals out of balloons, clowns aren’t expected to contribute much else to society.

But from their Pelham hometown, the Union Grove Baptist Church Clown Troupe is hoping to not only entertain but offer salvation to its audiences.

 

Milton Mejia, 17, who has been with the clown troupe for three years, said while the troupe’s main goal is to use their talents to introduce others to Christ, they also just want to make the audience happy.

“Even if you lift their spirits and make them laugh, it’s still a ministry,” he said.

The troupe, which has three programs during the year at Union Grove Baptist Church and also travels to other churches to perform, opened this year’s season with three performances at Moultrie’s Ag Expo Oct. 18.

They perform a mixture of serious and humorous skits in their efforts to enlighten and entertain.

But putting the skits together are no laughing matter. The troupe, composed of 11 members ranging in age from 11-46, completes an entire day of clown school before the season starts.

The school is taught by Dean Cotton, a member of Clowns with New Hope Baptist Church in Fayetteville. His clown troupe has performed both nationally and internationally at schools, churches, parades and community events.

During the day of training, students discuss how to better incorporate the ministerial aspect with clowning. They also select which type of clown they want to be and learn how to apply makeup.

When choosing a clown personality, troupe member Lynn Davis said they just let their imagination decide their clown’s characteristics.

“They decide for themselves what character they want to be. They all have their own personalities like a regular person. Some are a little smarter than others, some are a little more silly,” she said.

But once they establish their character, Davis, whose clown name is “Oops,” said they have to stick with it.

“You have to keep the same personality because children believe in you and they recognize you by your clown person,” she added.

They also learn skills such as balloon sculptures, rope tricks, illusions, plate spinning and juggling in clown training.

The troupe was started when Mejia, who attends Mount Olive Baptist Church, went on a mission trip to Mexico with several other church members. Since Mejia was the only one who could speak fluent Spanish, he and the other church members decided to dress as clowns to better communicate with the children and other people there for their message about Christ.

“One lady there was having a really bad day and after we performed she came up to me and thanked me because she said we made her day a lot better,” Mejia, whose clown name is “Will Rejoice,” recalled.

Three years later, troupe director Jeannie Bush and the troupe are still coming up with inspirational yet comedic skits to entertain crowds.

“We mostly look them up on the Internet. We look for ones that are funny but give a message,” Bush said.

Les “Tiny” Pollock, 46, said his favorite part about being part of the clown troupe is “being able to smile when you say Jesus.”

Emily “Sugar” Burgess, 11, said she is not at all shy about performing in front of a crowd.

“I like spreading the word of God to people to get the message out,” she said.

Mejia said whether it is a serious skit or a more comedic one, the troupe always tries to emphasize a moral lesson in their performance.

“After every show we do a one-on-one with the kids and tell them about Christ and just have fun with it.”

Clown says balls, bubbles, balloons will always do the job

La Crosse Tribune
By AUTUMN GROOMS

Squeak.

She touched it again.

Squeak. Squeak.

A grin the size of Texas came across the woman’s face, melting Fisher’s heart.

“Where she went, I’ll never know,” Fisher said. “But I do know I will always remember her.”

 

Fisher — and her alter ego, Hugs the Clown — have been generating laughs and prompting smiles in the Coulee Region for 28 years.

Dressed in red bib overalls and a green and yellow striped shirt, the 66-year-old retired educator visits schools, nursing homes, fairs, festivals, parades and hospitals, looking for grins.

“I try to bring out the smiles and the memories of the old and toothless, as well as the little kids,” she said. “I enjoy myself and every minute of it.”

Fisher began her clown career in 1979 after returning to La Crosse.

State Bank needed someone to fill the oversized shoes of its children’s account mascot, Breezy.

The gig paid $5 an hour, and Fisher signed up to walk the streets near the bank on Friday nights.

Fisher liked the job and decided she wanted to be a better clown.

Through classes, the annual Clown Camp at University of Wisconsin-La Crosse, conventions and meeting experts, she developed Hugs.

“I wanted a different character,” Fisher said. “Whenever family and extended family meet and greet, there are hugs.”

Hugs does basic magic, storytelling, face painting, meeting and greeting, prop making, and skit composition and performance.

“I can react to people of any age and get a response — hopefully — from any age,” Fisher said. “You have to be appropriate, and somehow it just works.”

And if she runs into trouble, Fisher turns to what she calls “The Three B’s.”

“You can’t go wrong with balls, bubbles and balloons,” she said. “They bring success.”

Coulrophobia: Fear of clowns

A number of people, young and not-so-young, are afraid of clowns, said Barb “Hugs” Fisher, a La Crosse clown.

Fisher said coulrophobics, as they are called, run from her at parades, back into corners at events and cry as she approaches them.

Some blame it on a bad childhood experience. Others cite Pennywise, the sinister clown made famous in Stephen King’s “It.”

Fisher said people sometimes want her to “say hello” to a friend known to be clown-shy. She usually backs off after a few questions, she said.

More info

Hugs the Clown is available for hire. Call Barb Fisher at (608) 788-5828 for more information.

October 26, 2007

Snow joke for clowns

IF you were looking for the meaning of life, where would you start? In science or in art?

Jef Johnson tried both and neither provided the deep philosophical answers he sought so instead he tried... clowning.

Johnson arrives in Cardiff next week as part of the world-famous Slava’s Snowshow, an award-sweeping house of imagination with fun as its bricks and childlike wonder as its mortar.

“What the show plays with is the way time can shift when your caught in the moment,” says Johnson.

“I always call it ‘the first kiss moment’, when 45 minutes can seem like two seconds.”


Slava’s Snowshow features three set pieces which have become iconic within clowning, including the finale where a shredded letter turns into a full-on snowstorm that engulfs the audience.

It’s been called one of the 50 most important events of modern theatre.

Staging any show of that reputation is always a very serious business, but having Johnson explain it to me was one of the most fascinating, pretentious and imagination-firing conversations I’ve ever had.

I’ll let Jef explain a little.

“In some cultures ‘clown’ has come to mean some Ronald McDonald idiot with a balloon tied to a stick,” said the 39-year-old Texan slowly but with bitterness.

“To some it is on the surface, gags, a red nose, big shoes, simple entertainment. But in almost every circus in the world the clown will be the highest paid performer because it takes a special talent. “In Mexico, to be a clown is one step removed from God.”

The man universally recognised as the greatest clown on earth is Slava Polunin, a Willy Wonka character who was born in the USSR 56 years ago.

He has come to be known the world over as Slava, and Slava is to Johnson what Mr Miyagi was to Daniel-san or what Yoda to was Luke.

“He is one of those rare people who comes around... I don’t know how often, but when he enters the building I can feel him,” said Johnson, who recently opened a clown research Institute in New York.

“One of my mentors once told me that I should learn from masters and he is a master, as Tiger Woods is, and when a master enters a room there is a shift in energy.

“He has his own gravity. We are working under the direction and leadership of an icon. He is of the order of (Marcel) Marceaux and to have a chance to work with him is as good as it can get.”

While Johnson is a disciple, he is also at the peak of his profession in his own right and what’s amazing is what he gave up to pursue this course in life.

He studied animal biology at university, went on to take a doctorate research post in Molecular Pharmacology, then later turned his hand to poetry, working as an actor and a stage director, including stints with Cirque Du Soleil.

Slava himself was an engineer while another colleague was an architect.

What answers does clowning provide that science couldn’t?

“Being a scientist is about thinking you understand it all. Being a clown is about not understanding it all.

“It’s about being at the end of your rope. It’s not about big hats and squeaky noses, it’s a deeper emotional state of being.”

Bozo and His Rocket Ship

 ASIFA Hollywood Animation Archive

In 1946, a young producer at Capitol Records, Alan Livingston was assigned the task of developing a children's line for the fledgling record company. He came up with the idea of a read-along record and book set featuring a circus clown named Bozo. The album, sold over a million copies, and helped to push Capitol to the top of the charts.

Livingston went on to create read-along sets featuring DIsney, Lantz and Warner Bros characters, but the most successful line was the Bozo series. Voiced by Disney story and voice man, Pinto Colvig with music by Billy May, Livingston wrote and produced Bozo On The Farm, Bozo And The Birds, Bozo Under The Sea, and this one... Bozo And His Rocket Ship. All of the sets were re-released in the LP era, but this one was heavily edited, for obvious reasons. In this album, Bozo makes a survey of just about every ethnic stereotype imaginable. But that isn't the reason we're presenting it here. We're featuring the wonderful work of the illustrators, Norm McCabe and Cecil Beard.

McCabe was an animator at Warner Bros in the 30s and directed in the early 40s. After the war, he turned to commercial work and illustration. He returned to cartoon animation in the mid-1960s, animating the titles to The Pink Panther. He continued to work in the business until his death in 2006. Cecil Beard was an animator and story man at Disney and Columbia. He worked on the Fox & the Crow comic books with Jim Davis in the late 40s, and as an illustrator for Western Publishing in the 1960s. He passed away in 1986.

The most striking thing about these images are the compositions. Notice how the white of the page is used and how small windows in the backgrounds open onto other environments. There's some really clever use of perspective and depth cues here. Enjoy!

Faces of the festival

"In case they get something to eat later," explained Gumdrop, aka Amy Staley of Fleming Island, as she sponged white creamy shadow on a kitty cat-wannabe's eyelids and mouth.


Staley was one of several clowns and more than 200 vendors at the 25th annual Orange Park Fall Festival, which drew an estimated 15,000 people to Town Hall Park on Saturday and Sunday.

Hundreds of families strolled along the hay-scattered grounds eating Fred Flintstone-style turkey legs and drinking fresh squeezed lemonade. They shopped for one-of-a-kind holiday lawn ornaments, handmade vacuum cleaner covers or Barbie doll tents. The band shell bleachers overflowed with spectators watching live acts from knee-high ballerinas to jazzy teens to senior country line dancers. Children painted pumpkins, layered colored sand into bottles or played the ring toss to win an inflatable Sponge Bob Squarepants.

Vendors and attendees called it their favorite annual gig.

"It's the people that make this place special," said Bill Deguio, who has sold Beanie Babies and gift baskets at the festival for 15 years with much success.

"I don't come here to make big bucks. I come to have fun. Under this big old oak tree. Being out here with all these people from my town," said Staley, who paints faces Monday nights at Box Seats in Village Square and Tuesday nights at Moe's, both in Fleming Island. "It's rewarding to be in the business of making children smile."

October 24, 2007

Clown at Village Holiday Parade

gonyc

photo by Heather Cross 

 

Making balloon animals

Weyburn Review

Violet the Clown makes balloon animals for the children following the Kids Time segment of the United Way Communithon Saturday at the Comp Cafetorium. Children took part in fun activities during Kids Time by donating a handful of change to the Communithon. In the end, the United Way surpassed their goal of $122,007 by raising $122,517 just before they went off the air.

Pope Benedict hates clowns

Asia News

Those who teach the faith “cannot run the risk of appearing like a type of clown who is playing a part; rather he must be like the beloved disciple who rested his head on the Master’s heart and learned therein how to think, speak and act”.  Because “at the end of it all a true disciple is he who announces the Gospel in a credible and effective way”, in short “authentic witness”, as was the case with Saint Ambrose.

October 23, 2007

Send in the clown – don't worry, he's here

Sidney Morning Herald
by KATRINA WOBLEY

THE actor Darren Gilshenan is the first to admit his sex scene in is "absurd and obscene". Still, he got a shock during the play's recent Melbourne run when the scene - in which he appears to be having his way with not one, two or three but four characters behind a couch - prompted some people to walk out.

"The way in which we do that [scene] is quite clever - it's all to do with props and the notion of puppetry," says Gilshenan, who is starring in the Bell Shakespeare Company two-hander alongside William Zappa.

 

"I was doing bizarre things to this prop and these four people got up and walked out.

"I just went, 'Well, there you go - you really can't please all the people all the time'. It knocked the courage out of me for all of two seconds. Then I thought, 'Oh, bugger you'. There are always going to be people who will look at that kind of stuff and think" - and Gilshenan adopts an upper-crust British accent - "'Now, I came along to Bell Shakespeare Company because I thought it would be good, clean fun'."

Gilshenan, who honed his comedy skills working on shows such as television's Full Frontal and in theatrical romps such as The Complete Works of William Shakespeare (Abridged), is more interested in all the people who stood in the pit at The Globe.

"For the price of a theatre ticket, it was the difference between should they eat or go to the theatre," he says.

Nikolai Gogol wrote The Government Inspector - a satire that pokes fun at Russian small-town bureaucracy, corruption and greed - in 1836. The story revolves around the dapper but dim-witted cad Khlestakov, who finds himself showered with food, drink, roubles and women when the corrupt mayor of a provincial town mistakes him for an incognito government inspector.

The Australian author and playwright Roger Pulvers took Gogol's many-peopled play and reshaped it into a circus-meets-stand-up comedy show for just two actors. Under the direction of John Bell, Gilshenan plays Khlestakov as well as five other characters, while Zappa takes on a dizzying 13 characters.

To make matters even more complicated, the actors take turns at playing three of the characters - Anna, Marya and the lisping Bobchinsky - and have worked hard to adopt the same mannerisms. Gilshenan carries out his character transformations in front of the audience while Zappa disappears backstage, where a dresser helps him clip and unclip the many press-studs holding each costume together.

"Bill has 17 costume changes in a row so half the play's going on behind the set," Gilshenan says. "The thing basically sinks or swims on the dresser's shoulders - she's extraordinary."

Gilshenan, who won a Helpmann award in 2004 for playing another slapstick clown in Bell Shakespeare's The Servant of Two Masters, admits that this show, his 16th with the company, is tiring. The clowning is so physical that he warms up before each show with yoga and leg stretches.

"But it's a very enlivening show to do as well," he says. "The challenges come thick and fast all the way through it. For us, it's about looking at how to maintain the energy so the audience feels as though they don't get let off the hook; so they're not thinking: 'God, we'd like a third actor to walk on'."

Playing the clown comes naturally to Gilshenan. "I'm a slut for a laugh," he says, adding that he can even discern different types of laughter.

"You listen for the snorters. They're the people who haven't stopped laughing from a moment three minutes ago. That's when you know it's touching people really deep inside."

All the world loves a clown

The Times-Standard
Sharon Letts

Renaissance, the Azheimer's unit at Timber Ridge Senior Living in Eureka, was alive with circus clowns, jugglers and balloons last week as staff and family members celebrated the lives of the residents with an “Under the Big Top” event.


 

In observation of National Alzheimer's Month, the staff of Renaissance paid tribute to the residents by turning up the music and getting out on the dance floor with them.

Director of Activities Margie Kelly and her assistant, Lori Owens, donned clown outfits for the occasion, while a juggler entertained the crowd. There were games to be played, with the most popular being a bean-bag toss.

”They enjoy and respond to lively activities,” Kelly said of the residents, who she said typically have a more low-key, day-to-day routine.

Staff members encouraged the resi-dents to dance, clap their hands and enjoy the festivities, while visiting family members enjoyed cake and ice cream with their loved ones.

Beverly Whipple, wife of resident Earl Whipple, said she was happy to see her husband enjoying himself.

”This is so good for him,” Beverly said. “The staff here is really wonderful with the residents.”

Kelly added that the staff really get to know the folks at Renaissance.

”The staff have meals with the residents, they get to know them and understand how to communicate with them,” Kelly said. “Because of the setting here, we get closer to these people and they become family.”

According to the Alzheimer's Association's Web site (www.alz.org), Alzheimer's disease is a brain abnormality named for German physician Alois Alzheimer, who began seeing a female patient in 1901, diagnosed her with the disease and wrote about it in 1906.

While the organization denotes several types, or causes, of the disease, the most common symptoms are loss of memory, disorientation and “dementia, a general term for the loss of memory and intellectual abilities serious enough to interfere with daily life.”

Kelly said she has been working with Alzheimer's patients for 40 years and understands the kind of care they need.

”Because we work with them so closely, we don't think too much about what they can't do,” Kelly said. “They don't respond like other people would. They forget things easily. If you are asking them a question, by the time you finish your sentence they may have forgotten what you are asking. But that's OK. You just guide them. You say, 'Let's have lunch,' and if they are walking in the opposite direction, you gently take them by the arm and guide them in the right direction.”

Executive Director of Timber Ridge Larona Farnum was out of town for the “Under the Big Top” event, but Kelly said that Farnum is always thinking up fun things for residents to do at Renaissance and the Timber Ridge locations.

”She gets excited about doing activities and in turn, this gets us excited,” Kelly said.

”Larona gets that twinkle in her eye and you can't help but get excited, too,” she continued. “She's so into what she does that it makes everything we do a success. It's not work, it's for the residents. It's all for them.”

October 22, 2007

Elmo the Clown’s last hurrah

Lawrence Journal-World
By JEFF MYRICK


There will be no more
clowning around at the Maple Leaf Festival parade for Danny McMillen after Saturday.

Yes, it's Elmo the Clown's swan song after 27 years. He's retiring to the old clowns' home. It's the oversized clown shoes that got to him.

"I want to quit while I'm ahead," said McMillen, long-time Baldwin City resident who has been clowning it up at the festival since 1980. "I've got an ankle that's getting bad. I can't wear those big shoes anymore.

There will be no more clowning around at the Maple Leaf Festival parade for Danny McMillen after Saturday.

Yes, it's Elmo the Clown's swan song after 27 years. He's retiring to the old clowns' home. It's the oversized clown shoes that got to him.

"I want to quit while I'm ahead," said McMillen, long-time Baldwin City resident who has been clowning it up at the festival since 1980. "I've got an ankle that's getting bad. I can't wear those big shoes anymore."

"I may do some little things for people in town, but this is it for the parade," he said. "I want to walk. I don't want to ride."

During those 27 years, Elmo has seen it all, brought tons of smiles and laughter -- and scared a child or two, which he always seemed to fix. His fondest Maple Leaf parade memory came from that first trip down the brick streets.

"The very first year -- I'll never forget this -- I turned the corner on Eighth Street," said McMillen. "I saw a little kid with no legs, just pegs, on a blanket. He came out toward me on his hands. He caught my eyes. You could just see his eyes light up that someone picked him out of the crowd.

"It makes you feel good," he said. "I guess that's the pay."

A clown's beginning

McMillen wasn't always a clown. Not by a long shot. By the time 1980 rolled around, his family was pretty much raised. It was something from his childhood that sparked the interest into putting the makeup and clown nose on.

"What really got me started was I saw the Barnum and Bailey show in Lawrence in 1954," he said. "They unloaded off the railroad tracks and pulled all of their stuff to the fairgrounds. My dad took me to the show that night.

"The clowns just fascinated me," said McMillen, adding that all the famous ones, including Emmett Kelly, were there. "I really didn't know it, but that was what I liked best about the show. It kind of took a backburner until the boys were done with things."

It was out of the blue for all when he made the announcement in 1980.

"I said, ‘I'm going to be a clown,'" he said.

"Surprised the heck out of me," said Becky McMillen, his wife.

"The seed had been planted way back then," he said.

First-year jitters

McMillen thought he was all ready to go back in 1980. That was until the day of the festival parade.

"Maple Leaf 1980 -- it was a good testing ground," he said. "I didn't want anyone to recognize me, so I had a white face that was painted, a wig and a hat.

"When the morning came it was raining," said McMillen. "Not hard, but it was raining. I looked out the window and said I'm not going."

That didn't work. His boys returned a favor on what he used to do with them.

"When the boys wouldn't do something, I'd ‘buck, buck, buck' like a chicken," said McMillen. "That morning I heard the boys going around the house doing that. I thought you can't call the kettle black."

So, he lined up for his first Maple Leaf parade. Although there were tense moments, it all worked out -- for 27 years.

"That was a lonely feeling out in that street," he said. "I got to doing things and intermixing with the crowd and forgot all about what I looked like. It kind of went from there. I built on it for years."

Did anyone figure out who this Elmo the Clown was?

"No one knew it until my sons spilled the beans," said McMillen.

Festival finale

But this, the Maple Leaf Festival's 50th anniversary, will be Elmo's last.

The McMillen family will have a float in the parade and are encouraging people to join the Elmo Fan Club and wear t-shirts at the parade. Proceeds go to the Lumberyard Arts Center Project and people can call Becky McMillen at 594-3959 to join.

Although the festival was Elmo's beginning, it was far from the only parade he performed in during those nearly three decades.

"For awhile, we went to a different parade every week," said Becky McMillen.

During that time, Elmo developed his craft. Sometimes he poked fun at politicians. Well, many times he took shots at politicians, especially those that were in the same parades. But, it was so much more than that. It was playing to the crowd.

"It's like a piece of canvas and you paint on it on the way," he said of every parade route traveled. "You mirror people, happy or sad."

When he realized that Elmo needed to retire, just as he'd done from the work day life many years ago, there was no doubt how he'd go out -- the Maple Leaf Festival's grand parade.

"I started there, I'm going to end there," McMillen said.

Clown reaches new heights

Laurel Leader-Call
by LACEY WALTER

Jobs can come in all forms – good, bad, easy, hard – but for Anthony Taylor, his job is simply fun. Taylor gets paid to put smiles on the faces of people, and since 1994, the Prattville, Ala., native has been traveling the country as Tone Tone the clown.

Taylor began his tenure as a clown for the Shriners, and his love for being silly grew from there.

“I got tired of seeing all the grief that is around us,” he said. “I got tired of being a grownup.”

In 1997, Taylor became a professional clown, traveling the United States, Canada and Mexico to make a living. In 2004, the stilt walking clown won third place in the World Clown Association’s competition, which was held in Albuquerque, N.M. Taylor said winning the award for parade ability is his highest achievement thus far.

But whether it’s achieving honors as a professional clown, or simply walking the midway at the South Mississippi Fair, Taylor has the ability to make people, of all walks of life, smile, and that is an achievement in itself. Taylor said that every person has a different situation, whether they are old or young, and he finds joy in helping people forget their problems, even if it is for just a brief moment.

“I’m not just for the kids. I’m for the elderly. I’m for the sick. I’m for everyone,” he said.

Taylor feels that being a man of good morals, and a man of prayer equips him to be a good clown.

“I apply nothing but good clean fun,” he said. “If it is foul, and vulgar it is not going to come out of my mouth.”

The fun-loving clown has a variety of routines he performs, from stilt walking, balloon twisting, to performing classic comedy routines. Taylor will be performing daily at the South Mississippi Fair in Laurel.

Donald Duck in "Clown of the Jungle" (1947)

Clown brings happiness to all

The Fiji Times On-Line

Everyone has seen a clown, those cheery characters that can put a smile on any face.

But have we ever thought about what the life of a clown is like?

Well, a clowns life is an adventure, full of exciting and hilarious moments, a professional who has been clowning about for the past 25 years.

Neat-Tie, 54, has made a name for herself throughout the world.


Originally from Canada, she is a highly regarded professional who has lived most of her life in the United States of America.

Neat-Tie has been in Fiji, entertaining local children for the past two weeks.

Neat-Tie is her stage name given by teacher and is based on her ability to neatly tie balloons. She was told the name would bring her 'wonderful blessings.

She insists on keeping her real name a secret, saying revealing that would distract her audience.

"My audience has a very close and attached relationship with me and revealing my real name will spoil the fantasy they have about a clown," she said.

"I want people to get the blessings of the name I carry.

"That is something I learnt at clown school," she said.

Describing a clowns life, Neat-Tie said, "Its a very jolly, creative, amusing and a giving profession.

"People will always expect you to give something, so you have to really have a giving heart," she said.

It is the exchange of love that keeps her going.

"If you give love, it comes back to you. Sharing the happiness with people and keeping them happy is what keeps me going in this job. I am sure these are reasons to get anyone going in whatever they do," she said. The thought of becoming a clown and entertaining children hopped into Neat-Ties head when her six-months-old partially disabled baby boy was in hospital and she spent a great deal of time looking after him.

"I was in childrens hospital looking after my son for a long time. That is when I decided I wanted to do something to cheer up the children and being a clown was the most suitable job for that," she said.

She is an expert in making almost anything out of balloons within seconds, amazing everyone with her skills as she nimbly turns out real cute bears, hearts and flowers out of balloons.

She thanks her son for the talent.

"When my son was small, he had difficulty reading so I used to make items like animals and flowers out of balloons to help him read. Thats how I am so talented in that now that I can make things out of balloons," she said.

Her son is now 25 and is in college.

She calls him Hanuman, after the Hindu God.

Neat-Ties parents were Catholics and teachers but she followed a different path.

She is a follower of Iskon Society or the International Society for Krishna Consciousness.

She is staying at the Shrishri Radha Golokbhihari Temple, in Toorak, Suva, for the duration of her time in Fiji.

She is the youngest in a family of three children.

"I have a brother who is a clown and a sister who is a teacher but me, I am just a clown," she said with a laugh.

Neat-Tie loves what she does and has tremendous support from her family and friends.

She carries a bag of balloons with her always and is ready to entertain any kid at any time.

Her flashy appearance gets everyones attention, something she is now used to.

She dresses as a clown most of the time when she goes out.

"I am used to people staring at me. It brings the child out of people when they see a clown and cheering up people is what pleases me the most. As soon as they see a clown they get all excited and cheered up," she said.

This is Neat-Ties first visit to Fiji. "I like Fiji because the people here have a fantastic sense of hospitality. There are obviously more friendly people here than in America. I have friends all over the world and when I travel, they are the ones who look after me and invite me to perform at places," she said.

She has been performing for children in hospitals and schools in the Western and Central divisions for the past two weeks and will be moving to the North on Friday before leaving Fiji in a week.

"You have to have a lot of patience in this field and youve got to love kids. You get better as you keep practising," she said.

Being a baker in her previous life is a plus as she often cooks up a storm for her favourite tots.

Neat-Tie will continue clowning around because that is what keeps her happy.

A true Trini clown

Trinidad & Tobago Express
By RHEA-SIMONE AUGUSTE

With her chalk white skin, bright red curly hair, dazzling orange lipstick, rosy pink cheeks and dressed in a scarlet red coat with a red, white and black bow on her neck, Aleeyah Amanda Ali, 34, is truly a sight to behold.

The sound of children laughing at and with her fills a small room in NALIS but it's clear the children are interested in what Ali, also known as Redzi the Clown, has to offer.

Ali speaks about Redzi as though she's another person entirely. "Redzi is a separate entity though she's my alter ego. She's a Trini clown with plenty Tobago flavour and she's been entertaining children all her life. Redzi loves to read and watch children come alive," Ali explained.

"Redzi is passionate about her country and her people and she is the ultimate patriot, using her tricks and antics to capture the hearts and minds of children and instill in them a burning love for nation and people."

In her routine, she brings out "rolls and rolls of scrolls," "yards and yards of yarns," plus feathers, handkerchiefs and a multitude of other colourful and sometimes noisy accoutrements to create laughter. Accompanied by her pets Biggie Bob and Peeping Paapie, The Orinoco Red Spotted leg Tortoises -Candy and Cotton- Rainbow Sue and a Fantail Guppy Fish, she helps instill in children an appreciation, knowledge and love for Trinidad and Tobago.

But under the clown makeup and crazy hair, Ali is actually an accomplished professional with over fifteen years in the fields of Customer Service, Sales, Marketing and Corporate Communications. She's worked with several multinational and local organizations spanning industries including Insurance, Manufacturing, Information Technology, Tourism and Hospitality and Entertainment.

Ali has also served as the Honourary Cultural Ambassador to the Dominican Republic and has served in several different capacities with energy-based consortiums for Santana Energy Inc and Petro-Chemical Industries Inc.

She's worked for Borde Communications, CCS, Fujitsu ICL, Hedonism III, Laser Graphics Marketing, Caribbean Paper and Printed Products and many more. And, she said she's done Artiste Relations and Independent Management for entertainers including Ky Mani Marley, Farenheit and Mystic Urchin Music and Productions, Tricia Lee Kelshall, Rene Castle and Orange Sky.

The need to be involved in community service projects was ingrained in Ali when she attended the prestigious Roedean Girl's Boarding School in Brighton, England.

"At Roedean it was compulsory for students to work in community service projects because they believe it was part of developing a well-rounded, holistic person. We raised funds and sponsored a young girl from India for a year and we got involved in several community service initiatives including serving the elderly, the physically impaired, the homeless and children."

At Roedean, other than her academic and charitable pursuits, Ali studied music, theatre arts including stage makeup, production, set design, lighting, drama and costuming thus laying the foundation for Redzi to be born.

When she returned to Trinidad in 1996, she worked in the Information Technology industry and for the first two years, she experimented with her alter ego with neighborhood children and the children of her friends.

"I've always loved clowns. A clown could be any character, any personality and could do anything. In the theatre world we say a clown could get away with murder because nothing you can do is wrong - you're a clown!" She said with a laugh. "But for me, a clown is the nicest character you can introduce to children. When I was a little girl, I collected these little ceramic clowns and these clowns are now a part of my set. A lot of the things I use now I collected as a child into adulthood."

So, how did Ali decide on the name Redzi? "Redzi came about from a nickname I got when I was small."

"There was this character called Red in Fraggle Rock and up to the age of 7, I had long, curly hair and I would bounce around just like Red. My family called me Red and that's where Redzi's name comes from," Ali explained.

Ali is currently enjoying life as a Consultant in Business Development, Marketing and Corporate Communications because being self-employed gives her the freedom to work as Redzi as well.

"When I'm not doing consultant work, I get to do my series of edu-cultural workshops called 'Discovering Redzi's World' and I've been doing the series in the library on an ongoing basis by invitation of NALIS - St James since September 2006. Redzi was also in Carifesta last year and she's worked at the Lady Hochoy Home, We Beat in 2005 and at schools across the country for ten years. Now NALIS has invited me to extend the program to the Diego Martin library and a lot of things are in the works for Redzi."

Ali affirmed, "I love what I do and I guess that's what makes me supercharged on life."

 

Behind the canopies, an unhappy world

Hindustani Times
By MANOJ SHARMA

There is music in the air as we walk past a block of tents — the ‘homes’ of artistes at the Great Royal Circus. Javed, 21, is strumming his guitar in his tent. With his chiselled features and coloured tresses, the young guitarist has the look of an aspiring rock star. His father, Mohammad Sayed, 50, the circus band master, is reading a book sitting next to him. Fluent in English, Sayed loves reading. “Javed has been in the circus with me for the last ten years. I want him to seek a life beyond the circus and earn fame as a guitarist. I have been trying to get him a job with a good rock band. Though he has a lot of talent, what he lacks is luck and connections,” he says. “I joined a rock band in Kolkata a few years back, but somehow, it did not work,” says Javed, who now earns Rs 4,000 a month.


As you walk the dusty ‘streets’ of the makeshift ‘circus colony’ behind the colourful canopies, which have dozens of tents and tin-sheds serving as the houses of the circus artistes, you come across several stories of aspirations and frustrations. The difference between the life in the ring and the life behind the canopies around it is stark. Many artistes living in the tents aspire for a life beyond the circus. Apparao, 63, a clown, is one of them. Sitting in his tent, he is getting ready to perform his laughter act at the evening show which will begin in half-an-hour. Putting white paint on his wrinkled face, he tells you, “I have been in the circus for the last 50 years, as an acrobat, a cyclist and then as a clown — the most lasting and stable job in a circus. I get Rs 4,000 a month.” He left the circus in 1991 to start a cycle mechanic’s shop, but as luck would have it, he was back in the circus by 1996. But this time, he says, he will go for good. “You see, my son has become a charted accountant. Finally, I can have a life beyond the circus,” says a proud Apparao.

Md. Afdar, 43 is another clown, but has no regrets about working in the circus, which, he says, has given him everything. “I am a dwarf. I could not have done anything else in life. I earn Rs 5,000 per month. I have been able to marry off my daughter and build a home back in my village,” he says. He works in the circus with his two sons. His only regret is that people have lost interest in the circus and it is becoming increasingly difficult to make them laugh. “I am worried about the future of the circus and the future of my sons. I know that they cannot have a life beyond it,” says Afdar, his swarthy, wrinkled face painted in many hues.

As you walk further, you come across some pretty young girls sashaying around with the confidence of supermodels. And why not? After all, these ‘Russian artists’, as they are called, are the star attraction of the circus — the crowd-pullers in these desperate times when it is becoming increasingly difficult to attract audiences. No wonder then, they have better accommodation and better salaries. The language barrier makes it difficult to strike a conversation with them. Ask them what brings them to the Indian circus and Humora, the girls’ manager from Uzbekistan Circus, tells you in broken English, “We do not bother about money. We are here for training and experience.” She is not willing to talk more as her girls have to get ready to play their part in the Great Indian Circus.

Meanwhile, Apparao and Md Afdar are already headed for the ring.

Lucky the Clown

Dog Blog

 

Clowning around in Mexico

Reuters

 

Local jokester honored with prestigious award

Ralston Recorder
by VALERIE CUTSHALL

When Donna Kerr Roth was growing up in an orphanage and in a foster home she wasn't sure where her life would take her.

Her talent has taken her to many heights. And recently she was awarded with a lifetime achievement award.

"As a teenager I was a prankster," she said. "I had to do something that justified my behavior."

Because of that she has brought many smiles to many faces.

Roth was awarded the Lifetime Achievement Award at the Midwest Clown Convention in Indianapolis, although many know her as Bubblegum.


The award is giving to a clown for dedication and achievements in the world of clowning and community service.

Roth became a clown in 1980 and has taught 377 other clowns, was inducted into the Clown Hall of Fame and has performed in many shows. The most well-known show may have been the Emmett Kelly Jr. Circus.

"It was a great honor to be honored for what I have a passion for," she said.

She feels that it's not what she did for clowning but what clowning did for her. Even after the death of her son 14 years ago she continued to perform and bring smiles to children. She reminded herself life is for the living and she must continuing living and performing.

"Behind every red nose is a healing heart," Roth said. "It has been for me. "Everyone smiles in the same language."

Other career highlights include clowning for the National Easter Egg Hunt in Washington, D.C. in 1992, earning 35 awards in national competition throughout the USA and Puerto Rico for makeup, costuming and skits.

Roth is very thankful for all the people that have been so supportive of her and her career.

"This is definitely been a calling and an art from the heart," she said.

 

October 15, 2007

'Bongo' to a different beat

The Campus Press
by CAMERON NAISH

Ever see CU students walking around campus with balloon animals at finals time, or kids playing with balloon swords on Pearl Street?

It's likely the work of Bongo, the balloon-maker.

Asking to be referred to as Bongo, and nothing else, the man is used to making balloon animals for the people around Boulder.

Bongo can make a variety of different balloon shapes - he's been working with balloon animals for over 20 years. Still, customers often want to know:

Which balloon is the hardest to craft?

"It's all a dog to me; it doesn't matter," Bongo said. "But I know whichever balloon I say will inevitably be the next balloon I have to create."

The self-taught balloon artist can usually be found somewhere on Pearl Street.

During the summer, Bongo works downtown for up to 45 hours a week. Once the school year is in session, Bongo cuts his time down on Pearl to the weekends and during good weather.

"He is really good with kids and brings business to [Peppercorn] and brings Pearl Street business," said Chance Kraegel, a Peppercorn employee.

It's an obvious venue for Bongo.

"[Pearl Street] is one of the few venues in the nation where someone can show up and do their craft," Bongo said.

CU periodically employs the artist. He has participated in CU's Midnight Breakfast, an evening activity during finals time, as well as events that kick off the school year.

"He's good to work with and students enjoy him," said Megan Bell, the assistant director at the UMC Student Programs Office.

Between working with CU and working on Pearl Street, many students are likely to have the opportunity to get their very own balloon animal - at least once this year

"He has no competition," Kraegel said.

Richard Renner talks about his goofy act

Lawrence Journal-World

Rodeo clowns: The cowboy's cowboy

New Mexico Daily Lobo
By MAGGIE YBARRA


Click image to view slideshow....

Death is just a game to a rodeo clown.

He plays it almost every day, taking calculated risks against his one-ton, Grade A beef opponents.

"In this business, it's not if you get hurt - it's when and how bad," rodeo clown Leon Coffee said. "And you know that when you're dealing with 1,800 pounds of massive beast with baseball bats stuck out of each side of his head and the fear of God in his eye, and he can run 40 miles an hour, and the fastest man in the world can only run 30 - and I ain't him. You know you going to get caught. You know you are. It's inevitable."

In a brightly lit arena where it takes less than eight seconds for a cowboy to lose his grip and fall from the safety of the saddle to the treacherous dirt bed of the floor, the rodeo clown serves as a modern-day matador.

"The deal is that you've got to get good enough to outmaneuver one," Coffee said. "And they're going to tear you up. I've had 14 knee surgeries. I've had - you can't imagine the stuff that's been done to me. It's just when you tear up stuff, you patch up - you go home. There's not an abundance of guys that want to step up and do my job."

Coffee has worked as a rodeo clown since 1969. In the span of three decades, he's collected two wives, five grandchildren and 134 broken bones. If he breaks a leg while on the job, Coffee said he'll wait only four weeks before removing the cast - rather than adhering to the standard six-week doctor's orders.

"I'm not a very good patient," Coffee said. "Besides, when you don't work around here, you don't eat."

Dressed in a neon yellow Western shirt, black stockings with holes in them, white socks that go up to the knees and a pair of pants cut off to look like a skirt with suspenders to hold them up, Coffee makes sure the audience knows he's there to entertain them.

A painted face is also a standard calling card of the rodeo clown.

Cory Wall, a rodeo clown who works the Texas circuit, said the designs he paints on his face have no meaning, although he has made an effort to use the same ones again and again so people can recognize him.

"Us bullfighters, we just want to have something appealing to kids where they can look at us and go, 'Hey, that's a rodeo clown,' you know?" Wall said. "But it really doesn't serve any purpose."

Although providing entertainment is part of the rodeo clown's duty, it's always secondary to protecting the bull rider.

"We're there specifically for the safety of those bull riders," Wall said. "And in the end, if we can get one to play a little bit - the bull - that's something very entertaining for the crowd, as well. So that's why they call us bullfighters."

Clint Craig, a 24-year-old bull rider from Arkansas, said he is grateful for rodeo clowns.

"You come off those bulls, and sometimes your head's down, and you can't see exactly where they're at," Craig said. "Or you hit the ground real hard, and your bell's kind of rung, and they step in there and take the shot for you."

Craig said the bull can feel when and where a bull rider is going to jump off, and that's where the danger lies.

"If they've got the bullfighter distracting them and leading them in a straight line, and they've got someone right in front of them, they don't care if you're about to jump off of them," Craig said. "They want the bullfighter, so the bullfighter - they're the superman of the sport."

Coffee said that although there's not much money involved in being a rodeo clown, he wouldn't want to spend his life in another profession.

"I ain't never going to say I saved a life," Coffee said. "That's God's job. But I will say I've saved somebody from bodily injury by offering myself up to the bull instead of the cowboy."

After 38 years as a rodeo clown dodging the occasional joust of horns and avoiding being trampled by dirt-covered hooves, Coffee has been given a new position. These days, he wears a microphone and gets into a blue barrel in the middle of the arena where he trades comedic remarks with the announcer.

"When you get old, you get the barrel," Coffee said. "This is your waning years. I don't run around in no circle. I just stand there and let them hit me."

Coffee takes impending danger with a smile as the bull riders stretch and prepare to risk their lives in exchange for a title and cash prize. And even though performing in the barrel is one step toward rodeo clown retirement, Coffee's job is just as dangerous as dodging and weaving in front of the bulls.

"I've had one get his head in there and work me over pretty good now," Coffee said. "They'll get their head and horns in there and feet down there. It ain't the safest place in the world to be, but it's a job. It's kind of like Willie Nelson said in a song one time: 'It's not a good life, but it's my life.'"

 

'Cliniclowns' cheer up ill children

The Yomiuri Shimbun

An Osaka-based nonprofit organization has recently started using the Internet to enable hospitalized children to interact with special clowns in the hope of entertaining the children and encouraging them to fight their illnesses.

A spokesman of the Japan CliniClowns Association of Minato Ward, Osaka, said, "Using the Internet, we'd like to offer encouragement to the many children with whom it is difficult to have direct contact."


The NPO was established in 2005 and currently dispatches 15 members dressed as clowns to entertain children coping with illness in seven hospitals based in areas such as in Tokyo, Osaka and Ibaraki Prefecture. The NPO calls their members "Cliniclowns" because the clowns visit clinics.

To become a Cliniclown, members must pass an audition, train to communicate with children and study basic child psychology and health care for a year. Cliniclown activity is becoming increasingly popular in many countries.

Toyama residents Koji Kasai and his wife, Chiharu, thanked the clowns who visited a hospital in Izumi, Osaka Prefecture, to offer encouragement to their daughter Tsubura who died aged 6 from neuroblastoma--a type of cancer--in July 2006. "I believe it was a very pleasant memory for her," Koji said.

Wearing colorful clothes and red noses, the clowns visited Tsubura every week for two months until she died.

Her parents recall Tsubura asking the clowns to come closer and laughing when they moved in the opposite direction. Tsubura always looked forward to meeting the clowns and enjoyed their 15-minute visits. She would dress up in her favorite clothes and sit up in bed, even if she was not feeling very well.

"Before moving to the hospital, Tsubura used to mope around all day saying she didn't want to play with anybody. Her attitude changed dramatically [when she met the clowns]," Chiharu said.

The NPO's name has gradually become known to the public, and requests from hospitals asking for clowns to visit have increased. However, because the number of clowns is limited, the NPO decided to utilize the Internet to reach children further afield.

The NPO will use a Webcam--real-time cameras that send images over the Internet--to enable clowns and children to communicate once a week. The NPO also has started videotaping the clowns' antics and distributing the tapes to hospitals.

The NPO's office manager Shigeyuki Tsukahara said, "Utilizing the Internet, we can overcome time and money obstacles associated with dispatching our members."

"Hopefully, by interacting with the clowns, children will be encouraged and gain strength to help them combat their illnesses," Chiharu said.

The Internet service will go into full swing from February after a trial period. The NPO is calling for hospitals or families with sick children to help during this period. Users only have to pay communication costs, and a Webcam can be rented from the NPO.

For more details, call the Japan CliniClowns Association on (06) 6575-5592.

 

BIBO gets call from the hall

The Paper of Montgomery County On-Line
By RICK HOLTZ

Bill Young's hard work has paid off.

Young will be inducted into the Clown Hall of Fame on Oct. 6 at the Midwest Clown Association's 34th annual convention.

"It is a small group that gets inducted," Young said. "I am the only person from Indiana to make it so far. This is something I worked for and something I earned. I have earned the respect of a lot of clowns in the area and in the nation."

Young has performed as BIBO the clown since 1990.

"It was something that has always been in the back of my head," Young said. "I spent the last 20 years working on this."

Young said that there are three types of clowns a person can choose from. He said that you could be a white face clown, an auguste clown or a tramp/hobo clown.

"I picked the white face clown because I am not afraid of anything on stage," Young said. I can go on first, or I can go on last. It doesn't matter to me."

Young said his hall of fame induction is directly related to how he did in competitions over the years.

"You have to earn points from competition placement," Young said. "I will be inducted in October because I have met all the criteria for placement in the hall of fame."

Young said that clowns enter events that showcase their makeup, their balloon skills and their performances.

"All of the events are judged by a panel of five to seven judges," Young said. "They judge on appearance, uniformity, use of color, quality of props, the audience reaction and the clown's timing."

Young, 65, is still active as a clown. He said that he competes at competitions and performs at churches for vacation bible school during the summer.

"I had nine performances in August," Young said. "That is a pretty average month for me."

Young also works at Pizza Hut. On Tuesday nights BIBO can be seen entertaining the children while they eat.

"I have been doing balloons at Pizza Hut for 10 years," Young said.

Young added that even though he competes against clowns who are in their 20s and 30s, he does not plan to stop any time soon.

"My main goal in competition is to compete against myself and not against other clowns," Young said. "I intend to keep going as long as I can."

Props to the clown: ‘It’s your laughter I’m after’

Sherwood Voice
By CAROL HAYNES

To be a successful clown says Jess "Woody the Clown" Woods, it's all about the props — a few unique, crowd pleasing props — with a little magic tossed in.

Actually, props are important, but having a clown's heart and desire to make others laugh has kept Woody of North Little Rock clowning around for 55 of his 83 years.

He recalls his boyhood, living on Markham Street in Little Rock, with great fondness. Those were days when a circus train would roll into town at least once a week, or so it seemed to Woody. They would fire up the calliope and the steam would send the shrieking whistle sound across the city, letting everyone know the circus was in town.

"You could hear those things for miles and miles around," he said, with a boyish glimmer in his eyes. "I'd hear the music and I'd jump school."

He must have been about five or six years old when he took a liking to the circus clowns. He'd follow them all around the circus, hanging on to every word they said. When they laid down for an afternoon nap, Woody would be right there beside them.

"It was just something that intrigued me," he said, not really able to put to reason why he loved the clowns so. "I just wanted to be a part of them."

Everything about clowning fascinated him, "and I never would turn it lose," he said.

In school plays, when the part of a clown was cast, Woody would be the one chosen.

His wife Bette believes he was born a clown. With a laugh, she said, "He really was. He liked to be the center of attraction. He liked to make everybody laugh."


It would be the early 1950s before he "got big into it," Woody said. Also a Little Rock Shriner at the time, he was in his late 20s when he went to a Shriner’s Convention in Oklahoma City, Okla. At the time some of the Shriner’s temples had clown units. But the Little Rock temple was a little behind times, he said, and it would be 1959 before the clown unit formed in central Arkansas.

But in Oklahoma City, Woody, of course, was drawn to the clowns. They took him under their wings, he said, and before he left town, "I was a clown. They knew everything in the world about clowning."

Once the Little Rock clown unit formed, Woody taught about 10 students the art of clowning — from making balloon shapes to working with props.

It's practically an obsession. "I sleep it. I eat it. I wake up in the middle of the night and I'll write something down so I won't forget," he said passionately. "And those things are usually very productive."


More often than not, those middle-of-the-night ideas will be about prop.

He wakes up having dreamed about props. How he can get more laughs. And how he can get the audience more involved in the act. "Then they become the laughing stock," he said with a grin.

Amid all of this clowning around, Woody had to seriously earn a living. In 1955, he opened up his first Woody's Barbecue near the corner of Pershing and Main. But about five years later the interstate highway come through and "wiped me out." He moved to another location on MacArthur Drive. He sold that business in 1963 and went strictly to catering — Woody's Catering Service. He kept that open until 1978 when he opened Woody's Sherwood Forest, a 40-acre complex for large private parties and receptions.

In 1995 he sold that building to the city of Sherwood.

He might have been earning a living, but he never stopped clowning around.

"I've always got time to be a clown," he said.

Clowning is a big part of who Woody is. In fact, at age 83 he says he would still like to perform somewhere every week — mostly in parades. "I've got to have a sea full of faces out there, because if I don't have them, I can't make them laugh."

In August, at the national American Legion convention in Reno, Nev., Woody walked the entire parade length entertaining the crowds.

“If a parade is three miles, four miles, 10 miles — it makes no difference to me,” he said.

Throughout the years, he has come to know and perform for hundred celebrities. He was friends with one of the world's most famous clowns, the late Red Skelton. "He was one of the best," Woody said, sharing many fond memories of working with Skelton and the friendship they shared.

Along side him all these years has been Bette. When asked what it has been like to be married to a clown all these years, she nodded and with a grin said, "very interesting."

So, was he dressed like a clown when you met him? With a sly grin, she replied, "Honey, he doesn't have to be dressed to be a clown."

Chuckling, Woody said playfully, "She's referring to make up."

They shared a hearty laugh together, something they have done for many years — laughing and keeping each other happy.

"What can you say when life has been so good to you and God has left you here this long to make people laugh," Woody said. "I ask for that every day.

"I ask God to give me another day to make people laugh."

Tearing up a little, he added, "I feel like that's what I was put here for. I believe that's the reason he spares my life."

 

Big Apple Circus sneak preview slated for Stamford

The Advocate
By JEFF MORGANTINE

Being a clown is all business for Barry Lubin.

While in character, Lubin plays Grandma the Clown, mascot of the internationally renowned Big Apple Circus. But at Long Ridge School's new arts and athletics center yesterday, Lubin was in plain clothes, running the show as a director.

"I wear a red dress, a gray wig, black canvas shoes and a carpetbag," he said. "I look like somebody from the audience more than someone from the circus. I think the audience, in a way, relates more to me."

Amid jugglers, acrobats and one trained Chihuahua, Lubin spent yesterday helping to coordinate the pacing and lighting for the today's sneak preview of the Big Apple Circus's 30th anniversary show, the first time the circus has offered an advance performance of its Lincoln Center show, which begins next weekend.

It also marked the first time the Big Apple Circus has performed in Fairfield County.

The circus has two shows today, both of which are nearly sold out. The school's director of development, Pat McGrane, said a handful of tickets remain and will be sold at the door for a show at noon tomorrow. Tickets cost $75 to $150 and will benefit the school and circus, both nonprofit organizations.

Big Apple's profits go toward Clown Care, a branch of the circus that places its clowns in 19 pediatric hospitals around the country, including Yale-New Haven Hospital.

The circus came to Stamford after its board chairman, Chris Wearing, who has three children enrolled at Long Ridge School, spoke with McGrane last year about possible fund-raisers after the center's construction.

Long Ridge is a private elementary school for students in kindergarten through fifth grade.

"It's just clean, honest fun for kids," he said. "I love the fact we can do all that as well as put it in places where kids need it the most, like in pediatric centers."

Kris Bria, head of school at Long Ridge, said students have prepared for the circus by creating posters featuring Grandma the Clown.

They've also been spotted wearing red clown noses in anticipation of the event, she said.

Yesterday's rehearsal did not feature clowns or exotic costumes. Instead, aerialists, jugglers and other acts performed in street clothes.

Christian Stoinev, a 15-year-old from Florida, was one of the first to practice, leaping onto a star-shaped podium and into a single-armed handstand. He was joined by his Chihuahua Scooby, who did a two-legged handstand.

Stoinev made his debut with the Big Apple Circus at age 5. His parents were acrobats, so Stoinev is accustomed to life on the road. The circus performs at Lincoln Center until mid-January, when it begins its nationwide tour.

"I like the traveling and seeing different people," he said. "But you meet people and have to say goodbye a lot. That's one of the hardest things."

Paul Binder, artistic director and co-founder of the circus, said the show at Long Ridge School could become an annual event. Binder began the circus after spending years trekking from San Francisco to Istanbul, Turkey, as a traveling juggler with co-founder Michael Christensen.

The Big Apple Circus contains itself in a single ring, an homage to the founders' background in European circuses, bringing the audience closer to the action, something missing in traditional, American three-ring spectacles, Lubin said.

"What we found 30 years ago is that the audience was thirsting for an intimate experience," Lubin said. "People just came out of the woodwork, and they were so happy to see that something so small and subtle could be more powerful than the three-ring circus."

Lubin, a member of the International Clown Hall of Fame, has gone to work in makeup and a wig for the past 33 years and began working with the Big Apple Circus in 1982.

"I've just been showing up so much that the audience got to know me," he said. "And I was lucky enough to have a character that the audience could respond to."

Send in the clown: Rodeo funnyman is there to protect the cowboys and amuse the crowd

Mail Tribune
by CHRIS CONRAD

The secret to effective rodeo clowning is spontaneity.

So says JJ Harrison, a five-year rodeo clown who will put himself in harm's way in the name of comedy at this weekend's Wild Rogue Pro Rodeo held at the Jackson County Fairgrounds.

"Some clowns have big acts prepared," Harrison said. "My deal is to just roll with it. I'm super nervous before each event because I don't plan anything."

The gig seems to be paying off for Harrison. He has won amature barrelman of the year awards and has worked rodeos every weekend save one since Memorial Day.

Harrison stumbled into rodeo clowning seemingly by accident. He grew up wanting to ride bulls.

"Then I realized I'm a big sissy, and didn't want to take that route," he said.

After four years spent team roping on the circuit, Harrison realized his career was going nowhere. Then one day a buddy who was promoting a rodeo in Vancouver, Wash., asked Harrison if he wanted to help out by donning the face paint and funny clothes.

"He knew I've always been the class clown," Harrison said.

After that rodeo, Harrison began receiving calls to work other rodeos. A career of hijinks and dodging bulls was born.

"I'm a physical clown," Harrison said. "Dancing is a big part of my show. Sometimes I'll wear a blow-up fat suit out there."

Because he never scripts his routine, many of the cowboys enjoy his material.

"These guys spend every day watching the same clowns," Harrison said. "Some of them like me because it's different every time."

The bulls, however, are a more discerning audience than their human counterparts.

Harrison has taken his share of punishment from the bulls.

He said a popular misconception is that rodeo clowns get up close and personal with the bulls when a rider hits the ground.

"We do try to get their attention, but we really don't like to hassle the bulls too much," he said. "You don't want to stand toe to toe and box a bull."

His job first job is to keep the cowboys safe, but a close second is making sure the audience is entertained between rides.

Between his day job as a dean of students at a special education school in Walla Walla, Wash. and the rodeo grind, Harrison keeps plenty busy year round.

When asked if he has any advice for aspiring rodeo clowns, Harrison laughs.

"Don't take yourself too seriously."

 

Clowns lift spirits with smiles

Beaumont Enterprise
By JANE MCBRIDE

Even on the worst of days, a little clowning around can make everyone smile.

That's why four Southeast Texans don the goofy clothes and paint their faces in bright colors - to bring a little happiness to those who need it.

It's called caring clowns, as opposed to circus, birthday party, or other types of clowning.

 

 

Tana Fillingame, Gloria Lindsey, Virginia Russell and Larry Thompson brought home prizes in the Texas Clowns Association 2007 Convention earlier this month.

Lindsey took first place in single skit, Fillingane took first in multiple balloon sculpture, Russell and Fillingame took second in group paradibility (parade skits) and Thompson, Lindsey and Fillingame took second in group skits.

The four are part of the Golden Triangle Funny Bones Clown Alley (club), meeting monthly to learn from each other.

"Some people are just natural clowns. But all clowns will tell you they had to study the art to improve the clown they started out with," Fillingame said.

No matter why type of clowning they choose, all clowns want to "escape from the stress of daily living and believe that the world can be a 'happy place,' if just for a short while," Fillingame said.


Who she is: Tana Fillingame, 46, of Vidor, married, three children.

Clowning for: 4 years.

Why she started: "I do it in memory of my firstborn, my son, Tony Meinelt, who was 23 when I lost him five years ago.

"My sister, Faye, and Tony share a birthday. She turned 50 four years ago and the family was throwing a big party for her and I was wondering how I would survive it. My son was a funny kid and had clowned a bit with me once a month for a year awhile back. It was a tool to help my children care about others. I decided I was going to clown that party. It became a way to survive a very difficult time in my life. Humor is a medicine."

Trademark: "Probably the balloons. I enjoy doing them. I like to do difficult ones, so I do them at home (and take them with me). I like walkarounds, where you walk and meet and greet people and play with them."

Why she clowns: "We are caring clowns, the group that tries to bring joy and comfort to others who need it. We are not in it for the money. We want to entertain. All of us willingly do charitable work. That's the ultimate clowning. I don't usually take a job for pay anymore. All I'm really looking for is the laugh."


Who she is: Gumdrop, a.k.a. Gloria Lindsey, 54, of Nederland, a warehouse clerk who is mother of four, grandmother of nine and great-grandmother of one.

Clowning for: 20 years.

Why she started: "A whim. I worked in a toy store that sold costumes. One Saturday I dressed up like a clown. I had so much fun. A few years later, a friend needed a clown. I said, 'I can do that.' So I volunteered. I've been clowning ever since."

Trademark: "I don't have a specialty. I do balloon animals, face painting, a little magic and a little juggling. I tell jokes and riddles."

Why she clowns: "The pleasure of seeing other people smile or laugh. It's one of those jobs where you might not feel good, you have to iron your suit and you are tired, but as soon as people smile, it changes you. You can be mad at the world but all of that leaves you. The kids truly love you and think you're pretty. In real life, I don't feel attractive, or like the pretty people. But in costume, you feel pretty. The kids are sincere. They make you feel special."


Who he is: Gabriel, a.k.a. Larry Thompson, 56, of Port Neches, an operator for Entergy and married and has two children.

Clowning for: 20 years.

Why he started: "Years ago, I attended First Baptist Church in Port Neches and we were asked to be youth sponsors on a camping trip. We were told the adults had to participate in classes. I looked at the list of choices and the Lord caused the word clowning to jump out at me. It sounded interesting. I got hooked."

Trademark: "My best talent is the balloons. I do animals and hats. I don't know why people like for me to do the balloons. I guess it's the skill."

Why he clowns: "It's fun to see kids laugh and smile. I've actually done some nursing homes, too. It's enjoyable to see the residents there smile. Our group is going to start going into (Memorial Hermann) Baptist Hospital, so that's another group that it will be good to see smile.


Who she is: Shoo, a.k.a. Virginia Russell, 59, of Lumberton, a retired widow, mother of two and grandmother to five.

Clowning for: 5 years.

Why she started: "I just moved here from California this year. I was a volunteer at a hospital and president of the auxiliary. I was doing a fundraiser and the hospital had started a caring clown program. I had never thought of being a clown. It was the furthest thing from my mind. It was so much fun."

Trademark: "I do compassionate clowning, walk around hospitals and relieve tension. Visitors are all concerned about their loved one. Clowning breaks the cycle and greets their minds off it. I don't stay long, just a minute or two. You read body language. If the patient doesn't want it, you leave."

Why she clowns: "Oh my goodness. I can't really describe it. It just lifts my spirits to know I've lifted someone else's spirits for the day. It's fun."

 

 

October 11, 2007

Planet Daluni

It seems as though a video game, "Star Wars: The Lost Sector," has named a planet after me:

Daluni

Leader: Teras Ai

Government: Daluni is led by Teras Ai, but was once split, with nearly half of the planet has sided with Weuo Pale, a Imperial sympathiser. Amazingly, he still retains a place in office, even though the Second Republic has been formed. He speaks openly about his views of joining the Empire, but has broken no laws.

Planet Importance: Daluni is a mining world, and has an abundance of gas mines (used to power weapons), and ores used to build ships (on Saluni). They are also the sector's main provider of rare gems and precious other metals, such as gold and silver. The world is dotted with giant mining platforms. Through the years, it is estimated that Daluni has lost about 10% of it's mass due to mining.

Description: Daluni has about 2 billion inhabitants, about 85% being human.

The Look: Daluni has a dark, cloudy atmosphere, due to hundreds of years of heavy mining. It is advisable to wear breathing masks whenever in the atmosphere, which most of the inhabitants do. The land is rocky and machinery is everywhere, looking like a world that is constantly under construction or mining, with plumes of smoke of various colors rising to the sky, visible from any point on the planet.

The Law: Daluni does not allow private citizens to possess firearms except in their homes or on their ships. Breaking this law has a punishment of six weeks in prison. Using a firearm outside personal property areas is punishable by a year in prison and a 10,000 credit fine. Murder is rare on Daluni, and is punished by life in the Deep Mines. A popular phrase for bad luck is being "in the deep mines of Daluni" or simply "in the deep mines" for short.

Looks like I have a few things in common with Planet Daluni:

But otherwise, doesn't seem to be a very good place to live....

And I certainly hope that "in the deep mines of Daluni" doesn't become a catch phrase around the clown show!!!! 

 

Hyde Park Square Art Show

Your pal Daluni decided to take a break from Newport on the Levee last Sunday and crashed the Hyde Park Square Art Show instead. Had a good time busking, and also made it on their video:

 

Also, the Downtowner put a picture of Daluni installing a BRAIN-SUCKING ALIEN on the noggin of an unsuspecting youth:

"An alien balloon hat is fitted on Connor Lohmiller's head by a roaming clown from Clownflower Alley. "

Fun time in the city

Moose Jaw Times-Herald
by MEGAN ROTH

Saturday afternoon, families from the Moose Jaw area went to the Moose Jaw Exhibition Grounds for the Rural Appreciation and Fall Family Fair.

    The fun kicked off at 2 p.m. Saturday with games for children, including face painting and a clown.

    One family at the event, the Woodrows, really liked seeing the clown.

    The children liked him because of the balloon animals that he made for them, said the mother, Jody Woodrow.    

    She went to the event for the family time . . .  and because it will soon be snowing and too cold to go outside.

    Two other visitors, Steve Turner and Don McFarlane, also took a number of children to the fair. Both men said they took the children to the event to have some fun, and to get them out and about.

    “The face painting was probably the most fun. The kids really liked it,” said  Turner.

    “Watching the kids have fun was definitely the best part of the day,” said McFarlane.

    Dale Popowich and his family went to the grounds so his girls could take part in the children’s festival. Popowich said the face painting was the best part of the day, because his girls seemed to enjoy it.  

    Trisha Kuntz said she enjoyed watching her children have so much fun in the bouncing, inflated castle.

    “I liked seeing the owl as well. That was really cool,” Kuntz said, referring to the owl from the Burrowing Owl Interpretive Centre.

    “My great-grandmother-in-law suggested that we bring the kids down for the day.”


Science Lesson

These were actual things that kids have (allegedly) said about our various phenomena of the world...

 

 

Some people can tell what time it is by looking at the sun. But I have never been able to make out the numbers.

 

 

 

*We say the cause of perfume disappearing is evaporation. Evaporation gets blamed for a lot of things people forget to put the top on.

*In looking at a drop of water under a microscope, we find there are twice as many H's as O's.

*Clouds just keep circling the earth around and around. And around. There is not much else to do.

*Water vapor gets together in a cloud. When it is big enough to be called a drop, it does.

*We keep track of the humidity in the air so we won't drown when we breathe.

*Rain is often known as soft water, oppositely known as hail.

*In some rocks you can find the fossil footprints of fishes.

*A blizzard is when it snows sideways.

*A monsoon is a French gentleman.

*Thunder is a rich source of loudness.

*Isotherms and isobars are even more important than their names sound.

*It is so hot in some places that the people there have to live in other places.

*The wind is like the air, only pushier.

*Question: What is one horsepower? Answer: One horsepower is the amount of energy it takes to drag a horse 500 feet in one second.

*Talc is found on rocks and on babies.

*The law of gravity says it's not fair jumping up without coming back down.

*When they broke open molecules, they found they were only stuffed with atoms. But when they broke open atoms, they found them stuffed with explosions.

*Rainbows are just to look at, not to really understand.

*While the earth seems to be knowingly keeping its distance from the sun, it is really only centrificating.

*Someday we may discover how to make magnets that can point in any direction.

*South America has cold summers and hot winters, but somehow they still manage.

*Most books now say our sun is a star. But it still knows how to change back into a sun in the daytime.

*Vacuums are nothings. We only mention them to let them know we know they're there.

*Some oxygen molecules help fires burn while others help make water, so sometimes it's brother against brother.

*A vibration is a motion that cannot make up its mind which way it wants to go.

*There are 26 vitamins in all, but some of the letters are yet to be discovered. Finding them all means living forever.

*There is a tremendous weight pushing down on the center of the Earth because of so much population stomping around up there these days.

*Lime is a green-tasting rock.

*Many dead animals in the past changed to fossils while others preferred to be oil.

*Genetics explain why you look like your father and if you don't why you should.

It's Pow-Wow weekend

The Chandler & Brownsboro Statesman
By Nathan Straus

Brownsboro Independent School District children were privileged to witness the antics of a Culpepper and Merriweather clown Friday, October 5. The clown, named Skeeter, entertained the students with rope tricks and even handed over two free passes to volunteers for one of her balancing acts.

Jeff Smiley, Chandler and Brownsboro area Chamber of Commerce chair, said he thought the clown was very entertaining.

"One thing that impressed me was the clown incorporated character education into the routine; traits such as listening and self-esteem," Smiley said.

Brownsboro Independent School District children were privileged to witness the antics of a Culpepper and Merriweather clown Friday, October 5. The clown, named Skeeter, entertained the students with rope tricks and even handed over two free passes to volunteers for one of her balancing acts.

Jeff Smiley, Chandler and Brownsboro area Chamber of Commerce chair, said he thought the clown was very entertaining.

"One thing that impressed me was the clown incorporated character education into the routine; traits such as listening and self-esteem," Smiley said.

Skeeter went through several routines in addition to the rope tricks. She showed children how to balance a peacock feather she referred to as macaroni, eventually balancing the feather on her nose, and displayed a coloring book that would alternate between blank pages and outlines of pictures.

"We're having to make extra stops because it's going over so well," Smiley said of the clown's popularity.

Smiley added that the clown he visited the campuses with was an advance clown meant to promote Pow Wow and circus popularity before the big day, and there would be more clowns at the circus.

There is still time to buy advance tick- ets for the show, Smiley noted.

"Ask for a free kid's ticket with purchase of an adult's ticket," Smiley said. "We're trying to get the whole household to come."

Julie Crawford, Golden Girls treasurer, said she will have enough donations to award prizes for 1st through 10th place in the Pow Wow Talent Show.

"Everyone's been very generous this year," Crawford said. "We've received about $300 in donations."

Crawford also said the donations came from Brookshire's, Forget me not Florist in Chandler, and other businesses in the area.

Smiley said those coming to the Pow Wow should prepare for a full day of events, along with every weather possibility.

"We're hoping the weather will be good, but you never know what the weather will do," Smiley said. "Bring a lawn chair, sunscreen and an umbrella. "

The Lion's Club parade will lead the way to Winchester Park where, Smiley said, the big top should be setting up as people arrive.

"There will be 217 handdriven stakes for the big top. That's something kids don't see every day," Smiley said.

Smiley also said the Culpepper and Merriweather circus is one of 15 remaining American big top circuses.

"It's living history coming to your own backyard," Smiley added.

Toy Recall

If you bought one of thes slides, please return it to the point of purchase for a full refund. For some reason, they've been declared unsafe:

 

October 10, 2007

Wish I was there..... sigh

NYC Clown Theatre Festival

 

Click on images to see more images. If you're not a MySpace.com member, you'll need to join....

 

October 09, 2007

NY Times theater review: "Jump"

Body Blows and Slapstick, With a Side of Ham

New York Times

By JASON ZINOMAN

The Union Square Theater is carving out a niche as a home for a kind of barely verbal foreign import that has become a standard feature of the Off Broadway menu. These high-energy spectacles — the offspring of hits like “Stomp” and “Blue Man Group” — are sometimes called events or experiences, and audiences are usually told that the shows are a sensation somewhere very far away.


"Jump" is playing at the Union Square Theater, 100 East 17th Street, Manhattan; (212) 307-4100.

This year it was “Be,” a rather loud headache from Israel featuring half-dressed actors leaping in the air, clowning around and banging on things. The new tenant is the lowbrow South Korean entertainment “Jump,” offering another band of half-dressed actors leaping and banging and clowning. There are differences, of course, but they aren’t much greater than those between the menus at McDonalds in Seoul and Tel Aviv.

“Jump,” which was first presented in 2003 and has since toured the world, is not without charms. It tries to be a kind of live-action Jackie Chan film. Wearing martial arts outfits, the cast of archetypes includes a blushing ingénue (Hee-jeong Hwang), a goofball uncle (Han-chang Lim) and a doddering old man (Woon-yong Lee) who just may be underplaying his athletic prowess. A sliver of a plot emerges from the series of sketches — something about a family’s home being burglarized — but it’s really incidental to the main attractions: comic mugging and elaborately choreographed fights.

Some of the performers, like Mr. Lee, are impressive gymnasts, flipping around the stage and displaying remarkable body control, seemingly defying several laws of physics. When the actors stick to the acrobatics, as in the rousing finale, featuring the cast members taking turns running up the sides of curved walls, the show has a certain kick.

The energy fizzles out, though, when the kicks and punches turn to comedy. With generous amounts of mugging, hackneyed physical humor and a weird fixation on the rear end, the creators of the show, including the director Chul-ki Choi, appear to be aiming for the toddler crowd. But all this hamming proves, among other things, the old cliché that a punch in the face translates much better than a joke.

Close to Home: Product development

  

My Ticket to Ride

Clownflower Alley News

Your pal Daluni is heading for the Big Apple in a couple of weeks, and I've managed to squeeze in a couple of matinees for the New York Clown Theatre Festival!!!!

Here's what I'll be seeing:

RIDICULOSITY
(The Glass Contraption) NEW YORK CITY

See Ted juggle 56 chain saws, light himself on fire, hold his breath for twenty minutes and then turn himself inside out!? A drama, a comedy, an epic! Entertainment for the people with singing and music, tap dancing, loud noises, attempted feats of acrobatics, falling in love and falling down. Hailed as "theatrical, lyrical and poetical on the one hand and controlled chaos on the other", The Glass Contraption takes you inside the beautifully stupid and wildly funny world of the clown. A New York premiere, RIDICULOSITY was chosen as one of the "Ten Best Shows of the Festival" by the Grahamstown Herald at the 2007 National Arts Festival, South Africa. Created by the ensemble: Katie Down, Robert Grant, Andy Grotelueschen, Piper Harrell, Catherine Mueller, Justine Williams, and director Virginia Scott.
www.glasscontraption.org

 


PATATRAC (CRASH, CRACK, BANG)
(Delikatessenduo) ITALY
(60 minutes)

After touring all over Europe Patatrac travels from Italy to make their U.S. début! This show features a comic-musical duel between two clown-musicians. They create innovative musical instruments, with mime and physical comedy . The end is a love story. Created and performed by Moreno Raspanti, Christina Glogowsky Family Friendly Show.
www.delikatessenduo.com/

 

The Quigmans: Low Tactics



October 08, 2007

Cop Shakes the Clown: "Gentrification Jesus" dinged for droopy diaper

Willamette Week On-Line
By JOSH SANDFORD

Rising rents may have forced members of the Alberta Clown House out of their longtime home at Northeast 25th Avenue and Alberta Street at the end of August, but the legendary street performers/bike peddlers/rabble-rousers didn’t go out quietly.

The Clown House Circus’ outrageous performance art in their large yard and the streets around it had become the epicenter of Alberta Street’s Last Thursday art walks over the past few years, and August 30 marked the group’s final appearance in their Alberta street incarnation.

According to Dingo Dizmal, the Clown House’s leader, the group began a skit around 7 that evening involving another troupe member, Will Workforf Ood, dressed only in an adult diaper , standing on a float preaching against high rents in the neighborhood. Then Dizmal and another group member, dressed as “Roman Centurions ,” pulled Ood off the float and attached a highwire pole—the last of the enormous amounts of found objects that had found a home in the Clown House yard—and paraded Ood down Alberta street as their “Gentrification Jesus .”

The plan at this point was to “crucify him (Ood) in the yard somehow,” but when the group returned to their yard police had come to the scene. According to Dizmal, the police coaxed Ood out of the yard and arrested him for disorderly conduct, claiming they had seen his penis come out of his diaper . Both Dizmal and Ood are skeptical that any policemen could have seen Ood’s genitals, and both believe the police were simply offended at their likeness of Jesus.

Ood says he was taken downtown and forced to sit for 5 hours in handcuffs (and, at this point, in pants, given to him by police) in the Justice Center’s reception area before finally being released around 1:30 am. He says he had no intent to create a hazard of any kind, and that “there was artistic intent to the whole thing.” He has had a friend offer legal counsel before his scheduled court date this Wednesday.

Dizmal, who has relocated to a new house on Southeast Hawthorne to prepare for the next clown house stunt, spoke of Ood and the incident admiringly: “That was the coolest stunt I’d ever seen a clown do, going to jail in a diaper. That was the most dangerous thing I’ve seen any of us do.”

Reborn as a clown

A Wesley Chapel woman emerges as Patty Cake and studies to be zany.
St. Petersburg Times
By ERIN SULLIVAN

It was 1997 and, Donna Feltner says, her husband of 27 years took off with his new girlfriend and cruised around town on a red Harley-Davidson.

Feltner had just creeped over the edge of 50 and wasn't exactly sure how to go on. Her three sons were grown and starting families of their own. She still ached from the death of a daughter decades earlier.

Feltner had a house in Wesley Chapel. She had a job doing data processing for a technical school in Tampa. But she was sad and lonely.

How do you begin to start over, after a half-century of life, with all that pain and baggage?

Then a guidance counselor at work asked her to go to a clown meeting. It was a group of professional clowns who met, without the makeup, just to hang out.

And a whole new world opened up.

 

Feltner met kind, funny and quirky people. They asked her to sign up for a clown school at Morton Plant Hospital in Clearwater. It was a 10-week course that met on Thursday nights. Feltner left work early and drove an hour to get there and didn't get home till close to midnight. But she loved it and didn't mind the drive.

She felt giddy again, like a little girl. Somehow, this fit. She always liked clowns and grew up watching comedian Red Skelton on television. She found paint-by-numbers portraits of clowns she did in high school in Illinois and hung them on her walls. She started collecting clown figurines and prints and paintings and lamps. At class, she learned how to apply makeup and set it with baby powder and that it comes off easiest with olive oil. She learned where to find costumes and gags.

She picked her new name - Patty Cake the Clown - because it sounded good to her.

"Who doesn't know Patty Cake?" Feltner said.

Out of all the clown types, Feltner chose to be an Auguste Clown, which she says means "fool." She said this fit her perfectly. According to clown-ministry.com, the Auguste Clown is in a "class by himself."

"The least intelligent although that's not saying much : of the clowns, he is also perhaps the most beloved," the Web site says. "With the most exaggerated make-up and movements, this is the zaniest of the clowns."

Feltner found outrageous costumes with bold colors, crazy prints, purple wigs and makeup that would stay on, even in the hottest weather. She splurged on $200 clown shoes - her only pair. ("They're actually very comfortable," she says. "But I can't drive in them.")

She bought face painting kits - her entertainment of choice, since she heard that kids can choke on balloons and she doesn't want to risk it. She learned how to do simple magic tricks (pulling scarves out of a bag and so on) and how to do jokes.

Thursday night, she greeted a visitor at her house. She showed off her clown photo album, edged in rainbow hologram lace and covered in plaid fabric.

"It's great. And this is just a little grater," she said, opening her hand to reveal a tiny cheese grater.

"Isn't it a beautiful day?" she asks. "It's gorgeous. Just like a pair-a-dice."

Yes, you know the rest.

When she graduated from clown school, her three sons came to the ceremony.

She started going to clown conventions.

"Every hour you can pick from different classes," she said.

"It's amazing to go and soak it all in. I've met famous clowns, Hall of Fame clowns, clowns from all over the world."

She has their photos in her album, with their names written on the back. The clowning world is just like any other, where there are superstars, their names whispered in hallways by beginners, "Is that Hambone?"

In Feltner's new world, her friends and idols have names like Odie, Buttons-n-Bows, Twinkles, Mama Clown, Tiger Lily, Strawberry, Shorty, Frosty Little, Freckles, Otto, Bubba Sikes, Jackie LeClaire. Some are uber-famous, marketing themselves constantly, selling dolls in their likeness and coming out with their own lines of makeup, clothes and props.

Feltner never wanted any of that. She loves clowning so much, she never wants to feel like it's just a job, that she has to do it for a paycheck.

She's done all kinds of gigs - corporate picnics, grand openings, festivals. Her regular job is kids' night at Beef O'Brady's in Dade City. She's there from 6 to 8 p.m. every Tuesday, in a corner by the bar, painting faces and cracking jokes.

She starts crying when she talks about how much this means to her. "I'm so blessed," she says. She gets to dress up and be someone else and make other people feel good and she actually gets paid for it. When she's in costume, she's not a 61-year-old single divorcee with acid reflux and arthritis. She's Patty Cake. And who doesn't love her?

Fred the Clown

The Magnificents

Windy City Times
Theatre review
by Mary Shen Barnidge

So how does a magician, heir to three generations of prestidigital art, tell us about his grandfather? In a magic show, of course, with card tricks, and circus clowns and spooky-tunes recalling Max Fleischer’s funny-shivery cartoons. And who better to direct this fanciful memoir than Molly Brennan of the guignolesque 500 Clown?

But The Magnificents is not just another slam-bang artsy-cutesy everything-and-the-kitchen-sink carnival from House Theatre of Chicago. At the heart of the slapstick and slippery-shuffle is playwright Dennis Watkins’ elegy for his grandfather, who—like his counterpart in the play—schooled his descendants not only in the mechanics of their craft, but in the humility necessary for its proper practice.

Our milieu reflects the fin de siècle trappings associated with the golden age of legerdemain, a decor extended to the collage-animation dream-sequences, together creating an ambience reminiscent of E.T.A. Hoffmann. This motif is also reflected in The Old Man, who speaks with a surly German accent, while his wife communicates in a vaguely Eastern European double-talk ( much of their dialogue drawn from Watkins grandpère’s actual words, if the playbill notes of Watkins petit fils—his persona, the silent orphan Boy apprenticed by the old couple—are to be believed ) .

And then there’s the magic—not mere stunts, hurled into the action like bricks down a chimney ( except for a plodding second-act ballad conspicuously lacking in the delicate fancy preceding it ) —but integrated into the narrative, each one carrying its full share of the story, as when open-heart surgery is depicted as a sawing-in-half turn, and death comes in an Asrah levitation. Along with the enraptured Boy, we delve the mysteries of scarf-and-wand manipulation, and marvel at the ancient cup-and-ball switcheroo.

But we also gasp in alarm when The Old Man coughs red foam balloons; sigh in sentimental bliss when the clock is, literally, turned back for a courtship waltz by the aged lovers; and are inconsolable when a vanishing canary refuses to reappear, until its safe return. The Sparrow may be HTC’s fall dazzler, but this small twinkling gem generates sufficient Ta-DA! to earn our attention.

  • Playwright: Dennis Watkins. At: House Theatre of Chicago at the Viaduct, 3111 N. Western. Phone: 773-251-2195; $17-$22. Runs through: Nov. 3

 

Clown protestor

my [confined] space

 

This prof clowns around in class

LCC grad travels country with his off-beat lessons
THE COURIER
BY ERIN FROST

Professor Steve's class was in session Thursday.

And when Professor Steve isn't in class, he's masquerading as Waldo the Clown.

Steve Walden, a 1981 graduate of Lincoln Christian College, travels the U.S. to teach science as one of his two alter egos: Professor Steve or Waldo the Clown.

It's his full-time job, and he's good at it.

"We're not doing any of that fancy-schmancy science stuff today," he told the students of Washington-Monroe School as they gathered in the gym Thursday morning. "Are you ready to have fun?"

The chorus of "Yeah"s was deafening.

Walden, who now lives in Lebanon, Ind., grew up in Decatur and graduated from Warrensburg-Latham High School. He started his teaching programs in 1982. By 1989, they were his full-time job.

"I travel the entire United States doing science programs, getting the kids excited about science using illustrative things that I know will get the attention of both the kids and the adults," he said.

"Anything that fizzes or pops or smells or anything like that is something that people will remember, and then you can go ahead and have fun with it and at the same time get the teaching across."

During his Thursday morning presentation, he demonstrated how a parachute works and explained why a balloon makes a funny noise when it deflates slowly or a pop when "Mr. Pin" comes into the picture.

Walden also incorporates things into his programs that keep adults entertained.

"They're not programs just for kids or for adults," he said. "The programs are written and meant to be for all ages. There were some things the teachers got that went right over the heads of the kids."

For example, he told the audience that Mr. Pin was Asian and kept right on talking without hesitation as the kids continued to watch with rapt attention and adults chuckled.

Some of the kids recognized Professor Steve.

Walden has performed at the summer program at Lincoln Christian Church for the past three years and also has been involved with Jefferson Street Church. At churches, he incorporates a gospel lesson.

He said he'll work with "Anybody that wants a high-content program that is fun."

"The whole purpose of doing this is to let the kids know that science is fun," he said.

"I've got about eight Professor Steve programs," he said. "They're 45-minute programs that I can do at a moment's notice. I usually write one or two a year to add to those."

Thursday morning's presentation was the "Amazing Air Show." He did the "Crazy Kitchen Laboratory Show" in the afternoon, and parents brought kids back to the school for an evening "Outta Sight Light Show" involving lasers.

"The programs that I do, whether it be Professor Steve or Waldo, from the beginning they're not written to be kids' programs," Walden said. "They're not written to be adults' programs; they're written for everybody."

People can find out more about Professor Steve and Waldo the Clown at www.professorstevesamazingscience.com.

NostalgiaFest

The Petersburg Progress-Index

 

 

PATRICK KANE/STAFF PHOTO
Asharie Shaw, 4, has her face painted by a clown at NostalgiaFest in Petersburg yesterday.

Bonita library celebrates Hispanic Heritage Month

Bonita Daily News/The Banner
By AARON HALE

 

 

The Bonita Springs Public Library was alive with activity Saturday, as it hosted a celebration of Hispanic Heritage Month with crafts, storytelling and a clown performance.

The library's multicultural program coordinator, Maria Polacio, said Saturday's event was part of an effort to attract the Spanish-speaking population to the library through its celebration of Hispanic culture and traditions. Attendees were encouraged to wear costumes from their native countries.

"We've been celebrating (Hispanic Heritage Month) for years, but we've recently been able to build it up more because we've been able to bring in more talent," Polacio said. The festivities were highlighted by a performance from Galacctín the Clown.

Considering the impressive turnout, Polacio said, Saturday's program was "a resounding success."

 

October 05, 2007

Town gathers around Louise Works

Seacoast Online

Louise Works, second from left, spent Sunday afternoon with a bunch of clowns. Joining her at a Sunday supper to raise money to rebuild her home are, from left, Shriner clown "Tag," York Village Fire Chief Chris Balentine, volunteer Ruth Drake-Benedict, Mason and chief supper organizer Bob Hoyt and clown "Pa Lou."

Herb Perry photo

 

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YORK — Appropriate for a beautiful, crisp late-summer day, York residents volunteered their time and money to help someone who through the years has helped so many others.

A fund-raiser for Louise Works took place Sunday in the parking lot of the St. Aspinquid Masonic Hall.

With the help of other volunteers, Mason Bob Hoyt organized the event for Works, who, with her late husband, Leon, volunteered for the York Ambulance Association for two decades. Her 13 South St. home was damaged by an electrical fire June 5.

The event was a buzz of activity. Shriners dressed as clowns sped around the lot in miniature cars while their compatriots collected donations from drivers who stopped their vehicles on Long Sands Road. The band Smokehouse rocked the neighborhood as firefighters cooked food on an outdoor grill.

Asked why so many have volunteered to help Works, Hoyt said: "We wouldn't have an ambulance service except for their unselfish contributions."

Before the event, volunteers had raised at least $14,000, according to volunteer Ruth Drake-Benedict.

Hoyt said that local Masons and the Grand Lodge Charitable Foundation had together donated $6,000, and the Mason overseeing trust fund gave $1,500.

Other donations came from the proceeds of a big dinner Norma's restaurant held in June, Masons-run bake sales, and a bingo night that took place at the York Beach Fire Department.

Residents have also individually donated money to the "Louise Works and Family Fire Fund" at Kennebunk Savings Bank, and contractors have donated their time, supplies and skills to help reconstruct Works' home.

A benefit HarvestFest raffle will offer as prizes a quilt and a bushel of lobsters.

On Sunday, Works expressed her gratitude for the help so many have given, saying quietly with a modest smile, "It's fabulous."

Clown Camp opens in Shanghai

cctv

Don't  you just love the Engrish translation .....

There are lots of clowns on TV for arousing gales of laughter. But TV perform their skits and then are gone. In Shanghai people have a chance for a close up look at the clown life. An international Clown Festival is under way in the oriental metropolis, presenting a laugh a minute for the holidays.

More than 100 clowns, from 16 countries like the United States, Canada and France came to turn the holiday into a season of laughter. After a brief opening ceremony, came the rapturous stilt band, the Hunchback of Notre Dame; then the jumping Kangaroo men. The audience response seemed to demonstrate that laughter knows no borders.

A splendid parade afterward brought the audience closer to live performance. Antic movements and facial contortions captured on film become the stuff of memories.

One the spotlight acts in Century Park seemed to beg the question: Who says used bottles and tins are nothing but trash? This female clown turned them into percussion instruments. Have you seen the violin played on two bows? These bows were not really meant for making music. They were props for clever tricks.

The eclectic performance seemed to inspire spectators especially kids, who painted their faces in the clown tradition, adding to the spirit of the fun.

A spectator said, "I'm rather busy and can't wait to take a break for the holidays. And I fell quite relaxed here."

The festival continues for 28 days. There will be some 150 performances.

 

Clown gets a wing up

Prince George Free Press
By Teresa Mallam 

 Scott McKay is better known in some circles, especially kids’ birthday parties, as Scooter the Clown. With his balloon magic, colourful costumes and bright red Rudolph nose, McKay has a bag full of tricks and a way with children that keeps them laughing.


McKay’s ability to deliver a laugh a minute was honed early in life but his interest peaked in 1992 after he studied clowning.

“As a student in high school, I was always entertaining my friends and family in our living room, that sort of thing. Then, while I was living in Victoria, there was this Discover Your Inner Clown group and they kind of took me under their clown wing. After that I took it up professionally,” he said. Now McKay, 31, is now booked weekends and on special occasions with children’s parties, business events and adult shows.

Lately, however the Prince George clown has taken up juggling with a passion.

“We have a juggling club on Thursday nights at Harwin Elementary where people can bring clubs, rings and balls or whatever they want to juggle in the air. I leave the torches at home,” he joked. “It’s a very relaxed atmosphere, so people can just enjoy themselves and come out and have fun. It’s a great hobby.”

When he’s clowning around town (he was a popular attraction this year at the Prince George Exhibition) McKay alters his routine a little to suit the age group.

“I have a big bag of tricks and balloons but I change around and customize things for the audience and rev it up when I need to,” he said. “I usually perform for children as young as three to high school grads and adults’ parties. So each show is done with a particular age group in mind. Most of my work comes to me by word of mouth and I drive around in my Scooter the Clown black and white promo smart car – it looks like a motorcycle with a roll cage - so people are getting to know me.”

How smart is his smart car?

“Well it got me to Vancouver on $22 in gas,” McKay said. “It’s a two-seater vehicle with a three cylinder diesel and six speeds.” The local clown said he moved to Prince George recently because of its more laid back and affordable lifestyle.

“There is affordable housing here and lots of other amenities. I have a nine-months-old child with another due in April, so life’s coming at me pretty fast. I like [the pace] here.”

McKay admits he quite often gets upstaged by little kids. And like the premise of the long running Linkletter television show or Bill Cosby’s books, he’s a great believer that kids say the darndest, funniest things.

“Kids are funnier than I am, especially with their one-liners. Really, they are just natural comics and I love listening to them.”

There are no rabbits jumping out of hats or pigeons released into the air during his show, he said.

“I don’t use animals because a lot of people take offense to it,” says McKay, oops Scooter, as he deftly twists a balloon into the shape of an animal. “These are my only animals.”

October 04, 2007

Bowen Island Clown - no one nose like a nose can nose

via Harper Valley

Here's an innaresting story about a clown getting roughed up by the establishment and a whole community forming a protest by .... well, watch it for yourself. Very cool!

Funny quote


If you put on clown makeup day after day, pretty soon you end up a clown.

- Rod Lockwood, Toledo Blade, in a review of Kissology

October 03, 2007

Thirty great years of clowning around

Birmingham Mail
By Patrice John


A CIRCUS clown who has entertained the Pope and Prince Charles is back in Birmingham - 30 years after his debut in the city.

Fips the Clown first came to town at the age of seven when he was known as 'Titch' due to his age and size.

But after decades of performing tricks the entertainer, whose real name is Jan Erik Brenner, will be with the Circus Royale performing in Edgbaston.

Fips, who is from a family of circus performers, said: "I was part of a clowning tradition with my father, but my first public performance was in Birmingham.

"It was an exciting time for me and because of that Birmingham has a special place in my heart.

"I started here in the circus ring and that's how I learned about being a clown. When we were in the city I'd help my dad with publicity and I remember being chased out of the Bull Ring for giving out leaflets.

"Since starting my career here I have clowned all over the world, so it's nice to be back."

Fips, aged 37, made his debut at Bingley Hall, in the City Centre, which is now the site of the ICC, in November 1977.

His father Karl, who was known as Charlie the Clown, and mother Jane, who was a trapeze artist, raised Fips, his brother Jonathan and his sister Patricia in the circus.

Although Jonathan and Patricia are no longer part of the circus, Fips - who says he was born in a caravan - continues to perform and has done so in Thailand, Dubai, Japan, USA and Europe.

Fips said: "Circus life is not for everyone and that's probably why my brother and sister didn't want to do it any more. I love my job and I tend to keep the performance going.

"I also work as a bit of a distraction for the audience while other things take place on stage and I help with audience participation and make sure everyone has a good time."

Man clowns around, but takes kids' fears seriously

Rochester Democrat & Chronicle
by Deborah Alexander

Pat Donohue's first performance as a clown was at a luncheon for a seniors group at a Buffalo church.

He described his debut, alongside another novice clown, as some of the "worst clowning anyone had ever seen." But the group enjoyed the show. "They laughed no matter what," Donohue said.

His next appearance was before a tougher crowd — a group of 3-year-olds at a Buffalo child care center.

When Donohue walked in, some of the children became frightened and cried.

"I thought there has to be a better way to do this," recalled the now 53-year-old Rochester resident.

Finding a better way to calm the fears and anxieties of children (and some adults) and still entertain has become the hallmark of Donohue's 32-year career as a clown.

Instead of coming out in clown makeup and costume, Donohue first appears as "a regular dad" in jeans, polo shirt and sneakers. As he talks to the audience and tells jokes, he transforms into Mr. Beau. He has started each performance the same way for the last 27 years.

 

At a recent assembly for more than 300 students from kindergarten through fifth grade at Livonia Primary School, Donohue transformed into Mr. Beau for a 50-minute show.

Principal Phillip Schedlbauer said having the children watch Donohue put on his makeup and costume made a difference.

"They (the children) see that the clown is a person," Schedlbauer said. "His act was very well-done. The kids enjoyed him."

Donohue said starting each show that way distinguishes him from other clowns and helps build a connection with the audience. "It's gratifying for me when a kid who is scared at first, comes to help me at the end of a show," he said.

Donohue, who grew up in New York City, went to the Ringling Brothers circus each year with his family. He always admired clowns and comedians like Jerry Lewis and Red Skelton. His 88-year-old mother, who lives in New York City, also inspired him. "She has a wonderful sense of humor and showed me the importance of laughter," he said.

In 1975, Donohue got into clowning at the start of his senior year at Canisius College in Buffalo. He took a 10-week clown course in the State University of New York at Buffalo's continuing education program.

Shy and quiet as a child, Donohue thought the clown course would bring him out of his shell. His first two clown jobs came while he was taking the course.

"I was intrigued by clowning," he said. "I thought it would be nice for entertaining my nieces and nephews. I never thought I'd make it a full-time job."

After he received a bachelor's degree in religious studies and communications from Canisius in 1976, Donohue worked various jobs in the dioceses of Buffalo, Rochester and Kansas City, Mo., including pastoral assistant and religious education coordinator.

He was a clown part time, performing at birthday parties, nursing homes, school district open houses and other events. It was always a second job, to supplement his income.

Seven years ago, clowning became his full-time job. "I was in so much demand, it was hard to work around a schedule."

Donohue declined to disclose how much he makes as a clown. Married to his wife, Kathy, for 27 years, the couple have five sons, ranging from 14 to 23.

"We don't have everything we want, but we have everything we need," he said.

Donohue said some months are busier for him than others. For example, in January he'll have about a dozen bookings. In June, July and August, he'll have 17 bookings a week.

He enjoys his job and making people happy. His advice: "Find something you enjoy doing and get someone to pay for it. You'll never work a day in your life because it's fun, not work."

Tributes to much-loved clown

The Evening Star

TRIBUTES were today paid to a popular Ipswich children's entertainer who died after a short battle with cancer.

Dennis Tubb toured as a clown after retiring from his job in insurance, performing at community centres, village halls and parties.


Today, his widow Rose described the 74-year-old as a “deep and sincere man”.

She said: “He didn't seem it to other people, but he was very emotional underneath.

“He was also one of the world's most methodical men.

“His uncle bought him some magic tricks when he was 13 and his love of performing grew from there.

“He was always fascinated by it and when he retired performing took up all his spare time. He was very devoted.”

Mr Tubb, known as Clown Dennis, died on September 26 after succumbing to cancer of the colon, which was diagnosed in May.

He leaves his wife, 74, and son, Christopher, 45.

Fellow children's performers, Sonya and Richard Taylor, first met Mr Tubb, of Sidegate Lane, at Felixstowe's pier pavilion more than 50 years ago.

Mrs Taylor said: “Dennis was loved everywhere by children and he was very well known.

“He became such a lovely and dear friend. He was the sweetest and loveliest person, very polite and a total gentleman.

“When he knew he was dying, he had his friends in the magic business go to his home and choose something from his collection.

“He will be very sadly missed.”

Mr Tubb's funeral, which is open to those who knew him, will take place at 1pm on October 10 at Ipswich Old Cemetery Church.

Donations, which should be sent to 650 Woodbridge Road, Ipswich, IP4 4PW, will be split between Macmillan Cancer Relief and Marie Curie Cancer Care.

October 02, 2007

Rubes: The Thrill is Gone

Care clowns spreading mission to Shelburne

Nova News Now

One of Yarmouth’s Care Clowns help to bring out a smile. Carla Allen photo

By Amy Woolvett

A brigade of colourful clowns plan to pile out of their tiny vehicles into the Roseway Hospital with the mission of blowing bubbles, being silly and perhaps wrestling a smile from a patient.

The Care Clowns have been bouncing strong in Yarmouth and Digby for three years now and plan to spread their mission to make people smile into Shelburne County beginning this fall.

“Our aim is to raise the spirits of the patients and their families as well as the staff,” says Coordinator/trainer and volunteer care clown Marie Atkinson otherwise known as Polka Dottie.

Clown Care is a program in hospitals and medical centers involving visits from specially trained clowns that is attended to assist in improving the quality of life for patients, families and health care professionals.

Care Clowns receive palliative care training and learn what kind of humour is appropriate in a hospital setting.

“We always ask if we can visit first,” says Atkinson, “and we go in pairs so there is no pressure to the patient to say anything.”

There have been 16 Care Clowns trained all together but Atkinson hopes there will be some volunteers from the Shelburne area to train.

Care Clowns use techniques such as bubbles, storytelling and humour to help patients deal with possible emotions such as fear, loneliness and boredom.

According to research, humor and laughter combats stress, reduces pain by releasing endorphins, boosts the immune system by increasing the level of T cell and helps promote a positive outlook.

“When you walk in a room and there’s an elderly person there and you blow bubbles over their bed and see their frail hand reach up to grab the bubbles,” explains Atkinson, “it makes them forget momentarily of why they are there…it’s really very special.”

Contact Yarmouth Regional Hospital for information on how to become a Care Clown in Shelburne County.

October 01, 2007

Clown garbage can lid

photo by

Clowns visit kindergarten for clown festival in Shanghai

Beijing 2008

 

 

 

 

 

 

 

 

 

 

pellepataljoona - clown army

 

 

Photo by

Samuli Ikäheimo

 

 

Clown celebrating 40 years in rodeo business

Harrison Daily Times
By JAMES L. WHITE

Staff Photo/James L. White When Jim Bob Feller, 56, was a boy, his father was a preacher, so the family moved around a lot.

As such, he didn't get to settle in to many places and hadn't really even seen a rodeo when his grandfather gave him a wood carving when the boy was just six years old.

That carving, Feller said, showed a rodeo scene featuring a clown. He felt a calling.

A few years later, he followed that calling and is now celebrating 40 years in the business of professional rodeo, now as a rodeo clown.

Feller explained that he tried riding bulls for five or six years, but he soon realized the same thing that Jesse James Vick and Jeff Franks, the bullfighters at this year's PRCA Rodeo, had learned: A cowboy only gets a check when he wins, but bullfighters and clowns always gets paid.

He also felt he was getting too old to be a rider, so he thought it was time to "either get a barrel or get a real job."

So, he spent the next 20 years as a bullfighter before finally becoming a rodeo clown.

He spends his nights in the rodeo arena entertaining the crowd between events and helping out where he's needed.

While cowboys were preparing for the bull riding event at Thursday night's rodeo in Harrison, Vick and Franks were preparing for their roles as Feller rolled out his big yellow barrel and set up the dummy they would use in the event a bull got out of hand.

Feller told the announcer that Vick and Franks are like the matadors in the arena and he was more like the picador, which is technically a bullfighter's assistant.

Feller asked the announcer if he knew what a picador was. The announcer, playing along, said he didn't and Feller said that if a bull got loose he would "pick a door" to run out.

That's not necessarily the case, but it made for good entertainment. In fact, he would have been the one to jump in the barrel if the team was trying to divert a bull's attention from a fallen rider.

Feller said he's been in many rodeos in his 40 years, but he's slowed down some after breaking his neck in 2002.

Of those rodeos he's been all over the United States, including Hawaii, and even Mexico. Perhaps one of his most vivid memories was a rodeo in Brazil.

He said that in preparation for the latter rodeo, he began to bone up on his Spanish so he would be able to communicate with the locals. But he was in for a big surprise.

"They spoke Portuguese," he said, reminiscing with a laugh.

He said there were 65,000 spectators at the rodeo and when it was over the fans stormed the field like they would after a soccer game.

"That's the only time I've been scared in my life," he recalls.

Even though he's been all around to work big events, he still likes the atmosphere at state and local competitions where people are ready for the cowboy way of entertainment. "These little old fairs are fun," he said.


AEMI international clown carnival

China Daily

 

 

A clown has joy with participants during AEMI international clown carnival in Hangzhou, East China's Zhejiang Province September 30, 2007. More than 70 comedians from 15 countries all over the world amused a great number of participants at the carnival. 

 

Family of clowns entertains at The Blue Note

The Columbia Missourian
By MAGGIE SEARCY

KYLE WAYNE STEWART/Missourian

COLUMBIA — “Ladies and gentlemen, boys and girls, children of all ages, welcome to the Joey Kelly Circus,” announced ring mistress Lindy Kelly as the lights dimmed low.

More than 100 people, munching on free popcorn and peanuts, filled The Blue Note on Sunday to watch the Joey Kelly Circus’ Clown Alley, composed of Joey and his family.

 

Joey took center stage, clowning around and juggling. The audience watched as he tested his balance on a rola bola (a wooden plank balanced on a cylinder) while snaking his body through a hula hoop.

The audience oohed and aahed when Joey showed them an empty box and pulled out a rose and scarves with ease.

Volunteers from the audience were asked to assist in magic tricks during the performance. Some were a little scared.

Attending her first circus, 10 year-old Nora Peckham volunteered to go on stage for the death-defying sword-through-the-neck act.

“I felt it a tiny bit,” Peckham said. “But I didn’t expect it to go through my throat.”

Joey’s son, Nathan, 13, performed tricks on the diabolo (a circus tool composed of a spool tossed on a string) and amazed the audience by magically linking and unlinking silver rings.

“My favorite part was seeing the linking rings act,” Liz Schmidt of Columbia said. “I was looking forward to this after a friend invited me, and it was just great.”

The Academy Award winning 1952 film, “The Greatest Show on Earth,” featuring famous clown Emmett Kelly, who is Joey’s grandfather, was shown after the performance. Emmett Kelly spent his youth in Houston, Mo., and developed the lovable sad clown, “Weary Willie,” during the Great Depression.

The circus came to Columbia as part of the One Read program. Prior to their performance, the Kellys were featured at Columbia Public Library. Lindy read the children’s book, “Emmett Kelly in Willie the Clown,” by Helen Wing.

In association with the Daniel Boone Regional Library’s One Read program, Sara Gruen, author of “Water for Elephants” will be in Columbia from 2 to 4 p.m. Tuesday for a book signing at Columbia Public Library. She will speak at 7:30 p.m. Tuesday at Columbia College.

On Location: TBWA/Chiat/Day, L.A. in Mexico City

 Creativity On-Line

There were a bunch of clown doctors that showed up on the shoot at one point, doctors dressed as clowns. One is a dwarf with a red cape on, they're calling her Capa Rosa, she's dressed like Little Red Riding Hood. She's a clown, plus she's a doctor. And she also happens to be a dwarf. They just walk around Mexico City, they're just crazy doctors dressed like clowns to cheer up dying kids. And then you're supposed to have complete faith in them. Think Patch Adams meets Traffic. That's probably a good theme for the whole thing. We were sick, we behaved like children. I don't know if they were trying to cheer us up, but Capa Rosa was wonderful, she was sweet. They came in a big ambulance and just hung out around us. There was a fire-breathing clown right around when that happened. He was conducting traffic.

 

Read a full account of  On Location: TBWA/Chiat/Day, L.A. in Mexico City here. Some of the content is not suitable for children.... 


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